A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
Successful wealthy shoe manufacturer John Reeves takes a vacation leaving his business in the hands of his nephew. While on vacation Reeves runs into his rivals heirs who are living it up ... See full summary »
John G. Adolfi
The newly-named Emperor Maximillian, the only monarch of the Second Mexican Empire, arrives in Mexico in the early 1860s with his wife Carlotta to face popular sentiment favoring Benito Juarez and popular demand for democracy. With an elite group of Mexican monarchists, Maximillian tries to appease the democratic Mexicans but he fails. Abraham Lincoln continues to support Juarez and asks the French to withdraw support for Maximilian. Carlotta goes to France to plead with Napoleon III, to no avail. Written by
Ed Stephan <firstname.lastname@example.org>
An English-language version of Franz Werfel's play titled "Juarez and Maximilian" opened on Broadway at the Guild Theatre on October 11, 1926, and ran for 48 performances. This stage version's cast included Alfred Lunt and Edward G. Robinson. The film is an extremely loose adaptation of Werfel's play. Juarez never appears in the stage version. The only one of Werfel's works to be quite faithfully adapted into a Hollywood film was "The Song of Bernadette", filmed in 1943 as The Song of Bernadette (1943). Werfel's play "Jacobowsky and the Colonel" was filmed by Hollywood as a Danny Kaye vehicle and re-titled Me and the Colonel (1958). See more »
When Napoleon lll is informed in a letter that Robert E. Lee has been defeated at Gettysburg, he responds by paraphrasing Lincoln's famous Gettysburg Address by calling democracy as government for the people, by the people, etc. He couldn't have known Lincoln's rhetorical flourish because the actual speech was given until mid November 1863. See more »
Empress Carlotta von Hapsburg:
More than an empire is in danger. My husband's life. And knowing this, you could abandon him? Answer me, sire!
Emperor Louis Napoleon III:
Regardless of my personal sentiments, I am, as you see, Madame, in the hands of my ministers.
Empress Carlotta von Hapsburg:
In the hands of your ministers! Was it you or your ministers who conceived the plan to mask your infamies behind my husband's noble name? Who tricked him into accepting the throne by means of a pretended plebiscite? Who assured him of French troops and French funds until the day that the ...
[...] See more »
Battle Hymn of the Republic
Music by William Steffe (circa 1856)
Lyrics by Julia Ward Howe (1862)
Played as part of the score when Abraham Lincoln is mentioned
Extensively played when news of Lincoln's assassination reaches Juarez See more »
Romanticized, over-the-top, a little superficial, but what fun!
From "Pancho Villa Starring Himself" to "The Mexican" and the execrable "Man on Fire" (produced by an Englishman, from an Italian script loosely based on an incident in Columbia... reset in Mexico), Hollywood has never made a film about Mexico that doesn't fall back on clichés and cartoonish "gringo-centric" stereotypes. Despite some problems, Juarez is an honorable exception.
The problem with the screenplay is that Bettina Harding bought the romantic, Euro-centric notion of Max and Carlotta as figures in a "tragic romance". They were patsies for Napoleon III's global ambitions (something the film does very well), but everyone in Mexico knows the two were complete fools who destroyed the economy, and hardly the loving couple depicted in the movie. Max was a syphilitic, pretentious twit. He neglected Carlotta (the "Casa Obvio", his summer house in Cuernavaca that he built, "forgetting" to include rooms for Carlotta is a popular tourist attraction now, and a botanical museum), had a son by his mistress, "la Bonita India" and -- infected his wife.
The other reviewer is unintentionally misleading when he writes that Carlotta lived in seclusion for 60 years. She was bed-ridden most of the time, suffering tertiary syphilis, requiring round-the-clock medical care. She did indeed, like in the film, go bonkers -- but in the Vatican, not in a French palace. The Papacy was a major player in the geo-politics surrounding the Mexican adventure, but the film (perhaps wisely) simplifies the politics.
But, what the hey -- it's Hollywood! It has the perfect cast for this kind of epic: who better to play stoic, long-suffering historical figures than Paul Muni? Who does devious Europeans better than Claude Raines and Donald Crisp? I really enjoy seeing Porfirio Diaz (who later seized the Mexican presidency in a coup, and maintained control for close to 35 years -- and is now a mixed figure in Mexican history, sort of like Lenin with the Russians, or Ataturk among the Turks) played by John Garfield. And who better to go completely bonkers and chew up the scenery than Bette Davis? By all means, watch the movie, but then read your Mexican history.
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