Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by ... See full summary »
A French farce set in Victorian London where a botanist and his wife get into trouble when they pretend to go missing in order to hide from their sanctimonious cousin -- an Anglican bishop who is leading a campaign against such writing.
Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues ... See full summary »
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre ... See full summary »
Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy... Written by
Carne and Prevert on a roll; hot on the heels of 'Quai des Brumes' comes this, next up will be Les Visiteurs du Soir' and THAT will be followed by 'Les Enfants du Paradis'. Get out of that, John Ford/Dudley Nichols. Where do you start with something like this, someone send a Runner for a new set of superlatives. Start with the heavy? Jules Berry, they don't come any oilier, he'd already scored in a previous Prevert script, 'Le Crime du Monsieur Lange' with Renoir on bullhorn and he used this as a warm-up for his Satan in 'Visiteurs'. Arletty? Garance-in-Waiting, 'Hotel du Nord' behind her, 'Visiteurs/Enfants' to follow. Gabin? What can I say. Even Nat Cole didn't have a trio like this. To quote the title of an earlier (1935) Gabin vehicle this was truly La Belle Equipe. How Hollywood could cast Hank Fonda in the Gabin role is beyond me. Hank, 'aw shucks' Fonda, niceness personified as decent but RUGGED Gabin? Come on, already. Vincent Price plays Jules Berry? Get real! Sandy Trauner's brilliant apartment building sets the tone here from frame #1. What an opening, Jules Berry exiting Gabin's room and running out of breath. Crowd assembling. Nowhere-To-Go Gabin holed up in his 10 by 6 reminiscing in Gitane time. Never had a chance, life's a bitch and then you die. Basically that's all there is to it. But, as someone once said, it's the way you tell them. Brilliant in spades.
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