A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre ... See full summary »
A wanted gangster is both king and prisoner of the Casbah. He is protected from arrest by his friends, but is torn by his desire for freedom outside. A visiting Parisian beauty may just tempt his fate.
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small ... See full summary »
At the end of the 15th century, two minstrels Gilles and Dominique come from nowhere into the castle of Baron Hugues. Gilles charms Anne, Hughes' daughter, while Dominique charms both ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
A charismatic thief makes friends with a bankrupt baron who comes to live in the thief's slum. Meanwhile the thief seeks the love of a young woman, who is held emotionally captive by her slumlord family.
Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy... Written by
the main setting of "le Jour Se Leve" is the top floor of a french apartment. the film opens with Jean Gabin character Francois - a factory worker- killing a dog trainer named Valentin who we find out (as the story unravels itself) was "involved" with his girl. Francois then barricades himself from the police, and the reason for the death of Valentin is told in simple sets of flashbacks that Gabin remembers between cigarettes as he decides what his next move will be. the story is simple and delicate in manner and substance but nonetheless the director/writer team Marcel Carne and Jacques Prevert succeed in turning the realistic (and sometimes edgy) conversations, movements and places into poetry. and in response to an earlier review, the simplicity of the flashbacks, is what makes the movie so intriguing. instead of relying on a heavy plot that might challenge audience, Prevert and Carne decide to put great detail into a simple tale about a sentimental man who is torn to ruin by a contemptuous and Machiavellian man.
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