7.8/10
5,168
31 user 36 critic

Le Jour se Leve (1939)

Le jour se lève (original title)
Not Rated | | Crime, Drama, Romance | 29 July 1940 (USA)
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Director:

Writers:

(original scenario), (dialogue)
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1 nomination. See more awards »
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Cast

Complete credited cast:
...
François
...
M. Valentin
...
Clara
Mady Berry ...
La concierge
René Génin ...
Le concierge (as Genin)
Arthur Devère ...
Mr. Gerbois (as Arthur Devere)
René Bergeron ...
Le patron du café (as Bergeron)
...
Gaston
Marcel Pérès ...
Paulo (as Peres)
Germaine Lix ...
La chanteuse
Gabrielle Fontan ...
La vieille dame dans l'escalier
Jacques Baumer ...
Le commissaire
...
Françoise
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Storyline

Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy... Written by Yepok

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

29 July 1940 (USA)  »

Also Known As:

Daybreak  »

Box Office

Opening Weekend:

$6,982 (USA) (21 November 2014)

Gross:

$34,570 (USA) (9 January 2015)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Janus print)

Sound Mix:

(Western Electric Wide Range Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The main square, on which the movie opens and in which some scenes occur afterwards, was actually created for the movie: buildings, shops, street. The tall building, in which the main character lives, was built for the movie. The back side was open, which facilitated shooting inside and notably allowed the fabulous travelling shot from top to bottom of the staircase. See more »

Quotes

M. Valentin: You're the type women fall in love with . . . I'm the type that interests them.
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User Reviews

 
Faded, inadequate, heartbreaking.
27 October 1999 | by (Dublin, Ireland) – See all my reviews

Carne's murder romance seems a little dated now, its rigid structure and frail artifice too polite for the hysteria necessary for film noir. Carne's tendency to reduce to types is at its most stilted here, leaving one with little room to breathe. There is still much that is majestic and dreamlike

  • the extraordinary sets, their imposing facades as repressive to Francois
as the human world he can't understand; Carne's elegant way with composition and camera movement, especially when he allows himself to see people, not allegories; the unparalleled acting, emotion from another age, yet yearningly, recognisably human.


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