7.8/10
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Le Jour se Leve (1939)

Le jour se lève (original title)
Not Rated | | Crime, Drama, Romance | 29 July 1940 (USA)
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Director:

Writers:

(original scenario), (dialogue)
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1 nomination. See more awards »
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Cast

Complete credited cast:
...
François
...
M. Valentin
...
Clara
Mady Berry ...
La concierge
René Génin ...
Le concierge (as Genin)
Arthur Devère ...
Mr. Gerbois (as Arthur Devere)
René Bergeron ...
Le patron du café (as Bergeron)
...
Gaston
Marcel Pérès ...
Paulo (as Peres)
Germaine Lix ...
La chanteuse
Gabrielle Fontan ...
La vieille dame dans l'escalier
Jacques Baumer ...
Le commissaire
...
Françoise
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Storyline

Francois, a sympathetic factory worker, kills Valentin with a gun. He locked himself in his furnished room and starts remembering how he was led to murder. He met once Francoise, a young fleurist, and they fell in love. But Francoise was gotten round by Valentin, a dog trainer, a machiavellian guy... Written by Yepok

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

29 July 1940 (USA)  »

Also Known As:

Daybreak  »

Box Office

Opening Weekend:

$6,982 (USA) (21 November 2014)

Gross:

$34,570 (USA) (9 January 2015)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Janus print)

Sound Mix:

(Western Electric Wide Range Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film was released in June 1939, only a year before France's surrender to the Nazis, who subsequently occupied the country. Although this film has no overt political content, according to film scholar Roy Armes, the scene in which the crowd on the street below expresses solidarity with the trapped François - which he rejects, shouting that he only wants to be left alone - reflected the political despair of the period, "a chilling epilogue to a brief period which had opened with the enthusiasms aroused by the Popular Front." [French Cinema, Oxford University Press, 1985, p. 102] In validation of this view, the government of Vichy (unoccupied France) shortly afterwards banned the film as "demoralizing," as if it had been partly responsible for France's defeat. See more »

Quotes

M. Valentin: You're the type women fall in love with . . . I'm the type that interests them.
See more »

Connections

Featured in Voyage à travers le cinéma français (2016) See more »

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User Reviews

Twilight At Dawn
8 December 2003 | by See all my reviews

Carne and Prevert on a roll; hot on the heels of 'Quai des Brumes' comes this, next up will be Les Visiteurs du Soir' and THAT will be followed by 'Les Enfants du Paradis'. Get out of that, John Ford/Dudley Nichols. Where do you start with something like this, someone send a Runner for a new set of superlatives. Start with the heavy? Jules Berry, they don't come any oilier, he'd already scored in a previous Prevert script, 'Le Crime du Monsieur Lange' with Renoir on bullhorn and he used this as a warm-up for his Satan in 'Visiteurs'. Arletty? Garance-in-Waiting, 'Hotel du Nord' behind her, 'Visiteurs/Enfants' to follow. Gabin? What can I say. Even Nat Cole didn't have a trio like this. To quote the title of an earlier (1935) Gabin vehicle this was truly La Belle Equipe. How Hollywood could cast Hank Fonda in the Gabin role is beyond me. Hank, 'aw shucks' Fonda, niceness personified as decent but RUGGED Gabin? Come on, already. Vincent Price plays Jules Berry? Get real! Sandy Trauner's brilliant apartment building sets the tone here from frame #1. What an opening, Jules Berry exiting Gabin's room and running out of breath. Crowd assembling. Nowhere-To-Go Gabin holed up in his 10 by 6 reminiscing in Gitane time. Never had a chance, life's a bitch and then you die. Basically that's all there is to it. But, as someone once said, it's the way you tell them. Brilliant in spades.


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