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The railroads are squeezing farmers off their land. When a railroad agent kills their mother, Frank and Jesse James take up robbing banks and trains. The public regard them as heroes. When Jesse retires his erstwhile friend Robert Ford shoots him in the back to get the reward. Written by
Ed Stephan <firstname.lastname@example.org>
This film and Stagecoach (1939) were both released in 1939 and became very influential westerns. That genre was considered to be box office poison at the time, but these two movies were so well received that westerns were again profitable to release. See more »
When Frank breaks Jesse out of jail, it's clear that the action is taking place at night. The note mentions 12 and the characters repeatedly say "tonight" "before this night is over", etc, but when Jesse and Frank emerge from the jail it is broad daylight. See more »
Major Rufus Cobb:
[standing over Mrs. Samuel's body]
There's no use. She's dead. This is bad! Mighty bad! I'm sure sorry!
Well, I'm sorry too!
Major Rufus Cobb:
Oh, I wasn't talking about her. She's gone. It's you I'm sorry fer.
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Opening credits prologue: After the tragic war between the states, America turned to the winning of the West. The symbol of this era was the building of the trans-continental railroads.
The advance of the railroads was, in some cases, predatory and unscrupulous. Whole communities found themselves victimized by an ever-growing ogre - the Iron Horse.
It was this uncertain and lawless age that gave to the world, for good or ill, its most famous outlaws, the brothers Frank and Jesse James. See more »
A highly romanticized account of the infamous desperado
Splendid in his first Western and his first Technicolor movie, Power portrayed Jesse James as a sympathetic hero and the most charming bank robber of the Old West
Teamed with Henry Fonda, and stalwart Randolph Scott, Henry King came with a Western classic, considered as one the best Jesse James of the series
The film opens in Pineville with hothead Jesse and temperate Frank as a couple of Missouri brothers who, embittered by the ruthless tactics of a railroad agent, got a warrant and had to skip out, hiding out until Major Rufus Cobb (Henry Hull) can get the governor to give them a fair trial But the railroad's got too much at stake to let two farmer boys bollix things up
After they had thrown Barshee (Brian Donlevy), the brutal railroad representative off the farm of their widowed mother (Jane Darwell) when she refused to sign over her property, Jesse and Frank later learn that she had been killed by a bomb tossed into their home by Barshee himself Jesse returns, shoots Barshee, and vows revenge on the railroad, with the complete sympathy of the Missouri populace
Jesse's sweetheart, Zee and her uncle, publisher Major Rufus, are among the James' supporters, as is U. S. Marshal Will Wright (Scott), but he has a job to do and is forced to track down the two brothers
Jesse and Frank have expanded their operation from merely harassing the St. Louis Midland with a series of holdups to robbing banks
Pursuaded by railroad president McCoy (Donald Meek) to talk Jesse into surrendering, Wright extracts a written promise of a light sentence for the desperado Zee then urges Jesse to give himself up following their wedding
Of course, Henry King tries to show how Jesse hated the railroads and from that hate he presented a charismatic hero But this hero was not going to last The more luck he had, the worse he gets It'll be his appetite for shooting and robbing until something happens to him
He also shows a worried fiancée keeping thinking of an outlaw all the time out there in the hills just going on and on to nowhere just trying to keep alive with everybody after him, wanting to kill him to get that money
There's a scene near the end where Zee (Nancy Kelly) after delivering her baby is lying in bed with her creature, with the presence of the Marshal, so to speak, between herself and her uncle that suddenly made clear to me what the entire film was about Her feelings as a woman: "I'm so tired to care. This is the way it always is. We live like animals, scared animals. We move. We hide. We don't dare to go out "
Obviously she is a sensitive woman who exposes her being on screen without losing sight of reality That's quite a great scene from King, and key in this great Western, as it's really all about her character, Zee Cobb, a struggling woman in love now a mother with a baby to take care of
So please don't miss it!
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