The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised ... See full summary »
The railroads are squeezing farmers off their land. When a railroad agent kills their mother, Frank and Jesse James take up robbing banks and trains. The public regard them as heroes. When Jesse retires his erstwhile friend Robert Ford shoots him in the back to get the reward. Written by
Ed Stephan <email@example.com>
The world branded him . . . an OUTLAW . . . a KILLER . . . a WOLF . . . but to the simple folk who knew him he was a victim of injustice - and to the girl who loved him he was brave and a gentle lover ! ! See more »
After the two horses that were blindfolded and forced to go over a cliff were killed, a new rule was enforced and later endorsed by The Humane Society of America in which strict standards were created to protect Animal Actors in which at the end of the movie and added to the credits listed as "No Animals Were Harmed or Injured in the Production of this Film...". Now all films involving any Animal Actors must have present a member representing The Humane Society of America to insure that all animals are treated humanly and given a safe environment in which to work. See more »
Frank comes to rescue Jesse from the jail at midnight. When they get outside, it's broad daylight. See more »
A highly romanticized account of the infamous desperado
Splendid in his first Western and his first Technicolor movie, Power portrayed Jesse James as a sympathetic hero and the most charming bank robber of the Old West
Teamed with Henry Fonda, and stalwart Randolph Scott, Henry King came with a Western classic, considered as one the best Jesse James of the series
The film opens in Pineville with hothead Jesse and temperate Frank as a couple of Missouri brothers who, embittered by the ruthless tactics of a railroad agent, got a warrant and had to skip out, hiding out until Major Rufus Cobb (Henry Hull) can get the governor to give them a fair trial But the railroad's got too much at stake to let two farmer boys bollix things up
After they had thrown Barshee (Brian Donlevy), the brutal railroad representative off the farm of their widowed mother (Jane Darwell) when she refused to sign over her property, Jesse and Frank later learn that she had been killed by a bomb tossed into their home by Barshee himself Jesse returns, shoots Barshee, and vows revenge on the railroad, with the complete sympathy of the Missouri populace
Jesse's sweetheart, Zee and her uncle, publisher Major Rufus, are among the James' supporters, as is U. S. Marshal Will Wright (Scott), but he has a job to do and is forced to track down the two brothers
Jesse and Frank have expanded their operation from merely harassing the St. Louis Midland with a series of holdups to robbing banks
Pursuaded by railroad president McCoy (Donald Meek) to talk Jesse into surrendering, Wright extracts a written promise of a light sentence for the desperado Zee then urges Jesse to give himself up following their wedding
Of course, Henry King tries to show how Jesse hated the railroads and from that hate he presented a charismatic hero But this hero was not going to last The more luck he had, the worse he gets It'll be his appetite for shooting and robbing until something happens to him
He also shows a worried fiancée keeping thinking of an outlaw all the time out there in the hills just going on and on to nowhere just trying to keep alive with everybody after him, wanting to kill him to get that money
There's a scene near the end where Zee (Nancy Kelly) after delivering her baby is lying in bed with her creature, with the presence of the Marshal, so to speak, between herself and her uncle that suddenly made clear to me what the entire film was about Her feelings as a woman: "I'm so tired to care. This is the way it always is. We live like animals, scared animals. We move. We hide. We don't dare to go out "
Obviously she is a sensitive woman who exposes her being on screen without losing sight of reality That's quite a great scene from King, and key in this great Western, as it's really all about her character, Zee Cobb, a struggling woman in love now a mother with a baby to take care of
So please don't miss it!
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