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Island of Lost Men (1939)

 -  Crime | Drama | Mystery  -  16 August 1939 (USA)
6.4
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Ratings: 6.4/10 from 29 users  
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An altered remake of 1933's "White Woman," finds cabaret-singer Kim Ling, daughter of a Chinese general who has been accused of absconding with government funds, arriving in the Straits ... See full summary »

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Title: Island of Lost Men (1939)

Island of Lost Men (1939) on IMDb 6.4/10

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Cast

Complete credited cast:
...
J. Carrol Naish ...
Gregory Prin
Eric Blore ...
Herbert
Ernest Truex ...
Frobenius
...
Tex Ballister
...
Chang Tai
William Haade ...
Hambly
Rudolf Forster ...
Prof. Sen
Richard Loo ...
Gen. Ahn Ling
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Storyline

An altered remake of 1933's "White Woman," finds cabaret-singer Kim Ling, daughter of a Chinese general who has been accused of absconding with government funds, arriving in the Straits Settlement. There, she meets Gregory Prin, a half-caste gun-runner and head of a jungle empire where he treats the Malaysians ruthlessly. She meets Prin and agrees to accompany him in search of her father, as she has several reasons to believe Prin is holding her father prisoner. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Mystery

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

16 August 1939 (USA)  »

Also Known As:

A Ilha dos Renegados  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Connections

Remake of White Woman (1933) See more »

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User Reviews

 
Wong Overshadowed by Hammy Naish in Disappointing Vehicle
10 October 2008 | by See all my reviews

Island of Lost Men (1939) does not show much of an improvement over Dangerous To Know (1938). The director (this time, Kurt Neumann) again allows the main player (this time, J. Carroll Naish, complete with a particularly grating, phony accent) to grossly over-act and swamp the rest of the cast, although Brod Crawford and Eric Blore give him a good run for his money. Anna May Wong, alas, is rather subdued. The ridiculously melodramatic script may have been tolerable given a different lead (bring back Akim Tamiroff!), even though its stage origins are never less than glaringly apparent. This movie represents the first of a dozen or so movies in which director Neumann teamed with photographer Karl Struss. As might be expected, the lighting is certainly attractive but, alas, nothing special.


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