Small town girl meets and falls for a playboy type on a train to New York. For him, the fling is over when they arrive, but she continues to carry a torch. She meets and marries his brother... See full summary »
Gregory La Cava
Romance and heartbreak walk hand-in-hand when Philip Chagal accidentally meets Helen Lawrence in a restaurant where she is a waitress. Unhappily married to a woman who suffers from mental ... See full summary »
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John M. Stahl
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Olivia de Havilland,
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Trainer Pop Hardy thinks his heavyweight boxer 'King' Cole could be champ...some day; he wants to sell a half interest in Cole to his rich friend Wayne. Wayne's daughter Eleanor is disdainful, but brash Cole manages to get under her skin. Can a society dame and a mug find happiness together? And can she wait for his slow rise to fame? Written by
Rod Crawford <email@example.com>
This is a tale of opposites attracting and the course of true love flowing like a river of doubt. Irene Dunne plays the lady and Fred MacMurray the boxing champ. Although they come from different worlds, they can't help falling in love--he with her ladylike ways, quiet charm and elegant beauty and she with his sheer manliness and out and out sex appeal. Their wedded/bedded bliss is snatched away all too soon as trainer/manager Charlie Ruggles (best remembered by us baby boomers as Daddy Farquahr on "The Beverly Hillbillies") yanks MacMurray back into his training regimen. Ruggles explains to Dunne why a fighter's wife can't follow him to camp. And although it is unspoken in this 1930s flick, we know that it is because their continued sexual activity would rob him of the strength he needs to vanquish all foes. Ha! Dunne relinquishes MacMurray to Ruggles but only after we learn that she is pregnant. To her this is a greater prize than MacMurray can ever hope to attain in the ring and she hopes that having a child will bond MacMurray even closer to her. Wrong! He doesn't make it to the hospital on time and she is alone, except for her faithful father played here by William Collier. Things only go further south from there. MacMurray spends years chasing the heavyweight championship and misses out on seeing his son grow up, all the while growing more and more estranged from Dunne who is for all practical purposes abandoned. Even when he is home, he seeks out female companionship with the floozy he ran around with before he was married. Dunne rightly divorces him and they share custody of their young son, the only person smart enough to see the wisdom of a reconciliation and their becoming a family once more. This is how the movie ends and just in the nick of time as the closing credits roll as they embrace on the staircase of the family home. This film while well acted feels like a retread, one that Dunne and MacMurray perhaps only fulfilled under contractual terms. Dunne is treated rather like a doormat and her usually strong character is somewhat too submissive to MacMurray's lug nut of a man. Oh well, it is not a total miss. A good enough movie for a way rainy/cold day but that's about it.
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