Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
Scotty Hamilton is a reporter who works for a crooked editor. Bill Banning is another reporter who is about to expose the editor's ties to the mob. When the editor is killed, both reporter ... See full summary »
Lucky Jordan, cynical gambler and racketeer, finds one thing his luck and connections can't fix: the draft board. In the army, he fits like the proverbial square peg, and deserts...to find ... See full summary »
George Raft, playing himself, recalls his days on Broadway, where he acquired a reputation as a great dancer--and also one as a brawler, a ladies man and an associate of some of the city's most notorious gangsters.
Fresh from Chinatown in New York, Harry Young has taken over the illegal import business in the seamy Limehouse district of London, where he cold-bloodedly disposes of rivals and runs a ... See full summary »
A group of pilots, because of unsavory or unearned reputations, establish an outpost squadron of their own, led by "Loop" Gillian, running charter-flights and hauling supplies in the frozen... See full summary »
Hardly his most memorable film, "I Stole a Million" covers familiar territory for George Raft. A very good beginning sinks into a poorly constructed storyline, unfortunately, and the greatest actor in the world could not have pulled out of that.
Plot: The system, the fates and bad dudes conspire to stick taxi-driver Joe on the wrong side of the law. After meeting Laura, he tries to turn his life around, and for a while he succeeds - marriage, business, a kid on the way. But his past catches up with him, and he slides into deeper criminal action than he ever dreamed before. The title actually refers to a very brief, rapid section of the film.
The well-paced early part of the movie, with great car action, slimy businessmen, escaping the cops, and hopping a freight, holds real promise. But everything seems to come to a screeching halt when Joe meets Laura (Claire Trevor). It's hardly Trevor's fault; it's the sudden flowery music and saccharine mood. What made the film interesting at that point fades away though there are still a few good bits and another swell car chase. There is a nicely lit sequence of dancing in a diner (including an Elmer Fudd of a proprietor). And late we learn Joe was the abused son of an alcoholic - which provides only a nice bit of dialog, for the script does not allow it the interest it deserves.
Not helping is the odd fact that Raft and Trevor have all the friendly chemistry of a brother and sister. Again, it's not something that can be blamed on anyone. It does make one appreciate the instant chemistry Raft had with such wildly different actresses as Sylvia Sidney and Ann Sheridan.
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