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The Hunchback of Notre Dame (1939) Poster

Trivia

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Well aware of the war raging in Europe, Charles Laughton chose a lull in the day's shooting to recite, in full Quasimodo costume, Abraham Lincoln's Gettysburg Address, as he had done in Ruggles of Red Gap (1935). As in the previous film, it stunned the cast and crew for the rest of the shooting day.
At a cost of $1.8 million, this was one of the most expensive films ever made by RKO Pictures. The Notre Dame replica alone cost $250,000.
This was RKO's last release for 1939 (and second costliest in its history, next to Gunga Din (1939)). Although it premiered about the same time as Gone with the Wind (1939), it held its own at the box office, grossing an impressive $3.155 million.
Having worked with her in London, Charles Laughton insisted that Maureen O'Hara would be the perfect Esmeralda for the film.
Charles Laughton's makeup took two-and-a-half hours to apply each day.
RKO specifically wanted to outdo the 1923 silent version of the story, so a vigorous campaign that spared no expense was undertaken. Much attention was given to advance publicity; no pictures of Charles Laughton in full Quasimodo makeup and costume were allowed to be seen so that a first-time viewing would be a guaranteed shock. Also, the studio hired (at Laughton's request) leading makeup artist Perc Westmore to supervise makeup. Unfortunately, Westmore and Laughton had heated quarrels before a final image for Quasimodo was agreed upon.
Film debut of Edmond O'Brien'.
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Irving Thalberg first presented the project to Charles Laughton in 1934. But plans didn't materialize until Laughton signed with RKO and chose this film as his first assignment at that studio.
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The scene in which Quasimodo rings the cathedral bells for Esmeralda was shot the day World War II began in Europe. The director and star were so overwhelmed, the scene took on a new meaning, with Charles Laughton ringing the bells frantically and William Dieterle forgetting to yell "cut." Finally, the actor just stopped ringing when he became too tired to continue. Later, Laughton said, "I couldn't think of Esmeralda in that scene at all. I could only think of the poor people out there, going in to fight that bloody, bloody war! To arouse the world, to stop that terrible butchery! Awake! Awake! That's what I felt when I was ringing the bells!"
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Bela Lugosi, Claude Rains, Orson Welles, Robert Morley and Lon Chaney Jr. were all considered for the role of Quasimodo.
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Van Nest Polglase reconstructed medieval Paris in a lavish set built on location in the San Fernando Valley. The cathedral stood 190 feet high and included gargoyles, vaulted ceilings and stained glass windows, all at a cost of $250,000. Polglase also incorporated scenic pieces from Lon Chaney's silent version.
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To turn Charles Laughton into the deformed bell ringer, Perc Westmore covered half his face with sponge rubber, adding a protruding eyeball lower than the average. Laughton's other eye was covered with a milky contact lens. The hump consisted of an aluminum framework stuffed with four pounds of foam rubber, and the rest of Laughton's torso was padded with rubber to create a sense of the muscles developed from pulling on the bell ropes. It took two and a half hours to apply the makeup.
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The film required the use of 2,500 wigs.
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American Film Institute Catalog of Feature Films 1931-1939 includes Gail Patrick and Laura Hope Crews among the uncredited players, without role designations. Neither actress appears in the film in any role of prominence, which their status in the industry at that time would have dictated. It's possible, however, they participated anonymously as extras, just for the experience, as many of their contemporaries often did.
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To convincingly play a character deafened by the ringing of the cathedral bells, Charles Laughton had his ears plugged with wax so he couldn't react to any unexpected sounds.
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The movie was filmed during one of the hottest summers in recent history, with temperatures regularly topping 100 degrees as Charles Laughton laboured under the heavy makeup and costume. It was so hot at night, he had to sleep in wet sheets to keep cool, and the moisture usually evaporated within minutes. On top of that, he had to be at the studio by 4 a.m. each day to get into the makeup.
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For the scene in which Quasimodo is whipped, Charles Laughton instructed an assistant director to twist his ankle outside of camera range so he would really be in pain. Even through the heavy hump and rubber body suit, he felt every lash and often came home badly bruised. Before the 16th take, William Dieterle whispered to him, "Now, Charles, listen to me. Let's do it one more time, but this time I want you...I want you to suffer." According to Laughton's wife, Elsa Lanchester, the actor never forgave him for that.
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This picture marked Maureen O'Hara's debut in an American picture, radio actor Edmond O'Brien's screen debut, and stage actor Walter Hampden's screen debut.
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This was noted Shakespearean actor-manager Walter Hampden's first sound film.
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Alfred Newman's "Hallelujah" cue was reused by the studio in It's a Wonderful Life (1946).
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Producer Pandro S. Berman offered Basil Rathbone a principal part in this film but Universal refused to release him.
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MGM considered making the film in 1937 with Peter Lorre as Quasimodo.
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On the first day of shooting, William Dieterle assembled a crowd of extras in front of the cathedral set and called for Charles Laughton. The actor, in full costume and makeup, protested that he wasn't ready to play the scene yet and couldn't shoot that day. Dieterle said, "Please, Charles, the next time you are not ready, let me know it previously so I can plan accordingly."
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The film premiered as the Christmas attraction at the Radio City Music Hall, triggering complaints from some critics who viewed it more as a horror film than an historical spectacle and considered it too frightening for family audiences.
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According to a 1932 news item in Hollywood Reporter, Universal announced that John Huston was writing a treatment for the first sound version of Hugo's story as a vehicle for Boris Karloff.
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The only movie screened at the very first Cannes Film Festival (the remainder of the festival was cancelled when Adolf Hitler invaded Poland on 1 September 1939).
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Lon Chaney Jr. screen tested extensively to play the role that his father had originated. When it appeared that trouble with the IRS might prevent Charles Laughton from working in America, RKO Studios promised the role to Chaney Jr. if Laughton's services could not be secured. Laughton, however, overcame his tax difficulties and made the picture.
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Basil Rathbone was originally cast as Frollo, but had to drop out due to scheduling conflicts.
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Charles Laughton and Perc Westmore argued over the makeup of Quasimodo. Laughton wanted to wear a heavy hump to help him act the role, but Westmore disagreed.
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Materials contained in the RKO Production Files at the UCLA Library note that RKO paid $135,000 for the story rights for this film.
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The film required the use of 2,500 wigs.
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Edward B. Powell's swashbuckling music would be used again in The Robe (1953).
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Joyce Gardner was originally slated to play the role of Fleur, but a scheduling conflict prevented her appearance.
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Follow mentions the name of Bruno di Fiorenze
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Spoilers 

The trivia item below may give away important plot points.

Sound from King Kong (1933) is used in the film: when Esmeralda is being tortured, some of her screams we hear belong to Fay Wray. Also, when Quasimodo is defending the cathedral, some of the screams of the wounded attackers belong to the sailors from King Kong; and when Frollo falls to his death, his scream belongs to one of the sailors as well.

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Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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