Quasimodo, the hunchback bellringer of Notre Dame's cathedral meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the ... See full summary »
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company ... See full summary »
Roy Del Ruth
A Bedouin princess returns to Bagdad after being educated in England, only to find that her father has been treacherously murdered by the head of the Black Robes, a group of renegades. She ... See full summary »
An animated adaptation of the classic Victor Hugo novel. A young deformed boy, named Quasimodo, is taken in by the wicked Archdeacon Frollo after the death of his mother, and is turned into... See full summary »
King Louis XI is a wise and old king and Frollo is the Chief Justice. Frollo gazes on the gypsy girl, Esmeralda, in the church during Fool's Day and sends Quasimoto to catch her. Quasimoto, with the girl, is captured by Phoebus, Captain of the Guards, who frees the girl. The courts sentence Quasimoto to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. Later, at a party of nobles, Esmeralda again meets both Frollo, who is bewitched by her, and Phoebus. When Phoebus is stabbed to death, Esmeralda is accused of the murder, convicted by the court and sentenced to hang. Clopin, King of the Beggars, Gringoire the Husband of Esmeralda, and Quasimoto, the bellringer, all try different ways to save her from the gallows. Written by
Tony Fontana <email@example.com>
After Quasimodo dumps the molten metal on the crowd below him, he sits on the wall with the sky in the background. Creases in the painted backdrop are clearly visible, as well as the backdrop fabric. See more »
[to Gringoire immediately following flogging of Quasimodo]
Never trust a man with pinched nostrils and thin lips.
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This version of "The Hunchback of Notre-Dame" is the finest film version that I've ever seen and the critics normally agree that it's the best screen adaptation of the classic novel. Charles Laughton is unforgettable as the pathetic, misshapen bellringer who falls in love with a beautiful gypsy girl. He brings such a range of emotions and expressions to his role that he will always be instantly recognizable, in his make-up, as Quasimodo and his performance will always be lauded as one of the best on the screen. Maureen O'Hara is stunning (in her first American film) as Esmeralda, the gypsy girl. She is lovely to look at in each one of her scene's and shows a special sort of kindness and sympathy toward the hunchback that other actresses who have played the role have failed to convey in the role (albeit, Patsy Ruth Miller was very good in the Lon Chaney silent version). There are many touching scenes in this film; Esmeralda bringing Quasimodo water while he's on the pillory, the rousing saving of Esmeralda from the gallows and the bittersweet finale (which makes one melt like butter) are all cinematic gems. Also, there is the splendor of many memorable mob scenes and a beautiful reconstruction of medieval beggar ridden Paris. See this version. It's the best one to date and is yet another one of the many jewels in Hollywood's 1939 crown!
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