The Hunchback of Notre Dame (1939)

User Rating:

7.9/10   

Director:

William Dieterle

Writers:

Victor Hugo (novel)
Sonya Levien (screenplay)

Release Date:

31 December 1939 (USA)

Genre:

Drama | History

Tagline:

Impact ! Power ! Pathos ! Drama !

Plot:

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Plot Keywords:

Gypsy | Murder | France | Notre Dame Cathedral | Church

Awards:

Nominated for 2 Oscars.

Cast

Charles Laughton	...	Quasimodo
Cedric Hardwicke	...	Frollo (as Sir Cedric Hardwicke)
Thomas Mitchell	...	Clopin
Maureen O'Hara	...	Esmeralda
Edmond O'Brien	...	Gringoire
Alan Marshal	...	Phoebus
Walter Hampden	...	Archdeacon
Harry Davenport	...	King Louis XI
Katharine Alexander	...	Madame de Lys
George Zucco	...	Procurator
Fritz Leiber	...	Old Nobleman
Etienne Girardot	...	Doctor
Helene Whitney	...	Fleur de Lys
Minna Gombell	...	Queen of Beggars (as Mina Gombell)
Arthur Hohl	...	Olivier

Runtime:

116 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

UK:A (original rating) | UK:PG (re-rating) (1985) | Portugal:M/12 | Canada:G (Ontario) | Canada:PG (video rating) | Finland:K-16 | Sweden:15 | USA:Approved (PCA #5504) | Australia:PG

Filming Locations:

Los Angeles, California, USA

Company:

RKO Radio Pictures

Trivia:

Pandro S. Berman offered Basil Rathbone a principal part in this film but Universal refused to release him.

Goofs:

Revealing mistakes: After Quasimodo dumps the molten metal on the crowd below him, he sits on the wall with the sky in the background. Creases in the painted backdrop are clearly visible, as well as the backdrop fabric.

Quotes:

Quasimodo, the bell-ringer: [to one of the stone gargoyles] Why was I not made of stone -- like thee?

Movie Connections:

Referenced in Dead Men Don't Wear Plaid (1982)

Soundtrack:

Ave Maria

I wish Hugo could have seen it.

The ending differs from Hugo's novel,but I guess it was necessary to bestow on the audiences a de rigueur happy end when the world situation was getting worse and worse.It' s also dubious that king Louis XI -who died in 1483- might have been aware of Christophe Colomb's plans ,because the latter only informed the king of Portugal-who refused to put up the money for his expedition- in ...1484!

These are minor squabbles.Because this movie is definitely the finest version of Hugo's classic ,much superior to the French one ,directed by Jean Delannoy(1956) with Anthony Quinn and Gina Lollobrigida.Dieterle's work is a feast for the eyes with numerous classic scenes ,very clever dialogue,superlative performances and complete mastery of the camera.

The opening-Louis XI visiting a printing house-sums up the turning of history:Gutenberg's invention will allow the knowledge and as the King watches the cathedrals ,he makes us feel that these books of stone are fast becoming a thing of the past.The Middle Ages are coming to an end,but a lot of people ,particularly the clergy do not want to lose the power they have on the populace.When Frollo sentences Esmeralda to death,because of his sexual desire,he puts the blame on the devil.He's a man of the past,diametrically opposite to Gringoire,who epitomizes modernity,and who understands the power of the pamphlet which the printing increases tenfold.

Charles Laughton is by far the best Quasimodo that can be seen on a screen:he's so extraordinary that he almost turns the happy end into a tragedy!He gets good support from a moving and extremely beautiful O'Hara as Esmeralda and from Harwicke as Frollo.

Peaks:the fools day,the cour des miracles -maybe showing some influence by Browning's "freaks"-,all the scenes in the cathedral.Dieterle is on par with the most demanding directors all along his movie:the movements in the crowd are stunning,breathtaking,often filmed from the church towers.Humor is not absent either:Gregoire's eventful night in the cour des Miracles is colorful and funny and scary all at once.

A monument,like the cathedral itself.