Quasimodo, the hunchback bellringer of Notre Dame's cathedral meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the ... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Charlie burns a count's trousers while ironing them and is fired. The tailor finds an invitation to dinner at Miss Moneybags and goes in place of the count. Charlie goes to the kitchen of ... See full summary »
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
King Louis XI is a wise and old king and Frollo is the Chief Justice. Frollo gazes on the gypsy girl, Esmeralda, in the church during Fool's Day and sends Quasimoto to catch her. Quasimoto, with the girl, is captured by Phoebus, Captain of the Guards, who frees the girl. The courts sentence Quasimoto to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. Later, at a party of nobles, Esmeralda again meets both Frollo, who is bewitched by her, and Phoebus. When Phoebus is stabbed to death, Esmeralda is accused of the murder, convicted by the court and sentenced to hang. Clopin, King of the Beggars, Gringoire the Husband of Esmeralda, and Quasimoto, the bellringer, all try different ways to save her from the gallows. Written by
Tony Fontana <firstname.lastname@example.org>
Esmeralda is tortured in a class of iron vise called the boot, or "brodequins," that is tightened around her foot by screws to crush bones. Actually, Victor Hugo's text notwithstanding, this type of boot did not exist in the twelfth century. The twelfth-century torture of the boot was conducted by binding a close arrangement of carefully shaped wooden boards around the naked foot and calf of the victim, after which thin, sharp wooden wedges were slowly hammered into the boot, increasing the pressure until the foot bones shattered. See more »
This version of "The Hunchback of Notre-Dame" is the finest film version that I've ever seen and the critics normally agree that it's the best screen adaptation of the classic novel. Charles Laughton is unforgettable as the pathetic, misshapen bellringer who falls in love with a beautiful gypsy girl. He brings such a range of emotions and expressions to his role that he will always be instantly recognizable, in his make-up, as Quasimodo and his performance will always be lauded as one of the best on the screen. Maureen O'Hara is stunning (in her first American film) as Esmeralda, the gypsy girl. She is lovely to look at in each one of her scene's and shows a special sort of kindness and sympathy toward the hunchback that other actresses who have played the role have failed to convey in the role (albeit, Patsy Ruth Miller was very good in the Lon Chaney silent version). There are many touching scenes in this film; Esmeralda bringing Quasimodo water while he's on the pillory, the rousing saving of Esmeralda from the gallows and the bittersweet finale (which makes one melt like butter) are all cinematic gems. Also, there is the splendor of many memorable mob scenes and a beautiful reconstruction of medieval beggar ridden Paris. See this version. It's the best one to date and is yet another one of the many jewels in Hollywood's 1939 crown!
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