Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
A bumbling pants presser at an upscale hotel's valet service nurses an unrequited crush on a Broadway star. He gets more than he bargained for when she agrees to marry him, to spite her womanizing fiance, and encounters Nazi saboteurs.
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
Ellen is a free spirited young woman in love with Doug. Sadly he must leave America for a two year job in Belgium. Ellen and Doug decide to spend their last weekend together in a tourist ... See full summary »
Thirteen women who were schoolmates send to a swami for their horoscopes. Little do they realize that Ursula, a half-breed Asian, is using her hypnotic powers over the swami and them to ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Movie star Brooks Mason tries to avoid his fans and spend some weeks on vacation. When Hawaiian plantation owner George Smith is mistaken by Mason's fans for Mason and brought to Mason's home. They decide to exchange their identities for a few weeks. But George Smith is mobbed by Mason's fans again on a personal appearance tour in New York, Mason falls in love with dancer Dorothy March, who also is on her way to Hawaii. Problems for Mason arise due to the fact that Smith is engaged to Cecilia Grayson and her wealthy father believes that Smith has double-crossed him. Mason isn't able to establish a connection with Smith in New York due to his agent's orders. Written by
Stephan Eichenberg <firstname.lastname@example.org>
The entire "Hola E Pae" number of the Hawaiian Medley was inserted into the movie I Dood It (1943). See more »
[Millie has just spotted movie star Brooks Mason on the deck of a cruise ship]
Millie De Grasse:
My dream man! I'm gonna meet him in person. And I warn you, if he makes one false move, I'm his!
I suppose you think it'll do you a lot of good to throw yourself at him.
Millie De Grasse:
Throw myself at him? If I thought it would do any good, I'd have myself shot at him out of a cannon!
See more »
Not a great film but a pleasant way to pass the time
Honolulu's not perfect (in my opinion), starting with a rather ridiculous story with a tired scenario that can get confusingly told in places. It was unevenly paced, some parts were fine, others were rushed and others were pedestrian. George Burns doesn't really have a lot to do and was a touch bland, and his chemistry with Gracie Allen while pleasant could have shone more if they were on screen longer together, Allen's chemistry with Eleanor Powell fares much better. Honolulu is still a pleasant film though, that is not among the best film musicals but a long way from the worst. The score is lush and while the songs are not the most memorable set of songs from a musical they are still very good and well-placed, the title song, the Hawaiian Medley and The Leader Doesn't Like Music particularly good. Honolulu does have some witty dialogue, with Robert Young having some lovely comic moments, and the shipboard costume party was a lot of fun especially to see what the characters dressed up as. Terrific also was the choreography, the best being the hula dance(you'd be hard pressed to find a sexier one on film), Powell's homage to Bill "Bojangles" Robinson and the tap/skipping-rope routine, the last one possibly being the most complicated- a lot of people would find it impossible to do- but danced effortlessly by Powell. And despite the black-face in the Robinson homage causing alarm bells for some who are yet to see it there is nothing really offensive here, although the rather stereotypical and out of place Chinese valet character played by William Fung will not work for some. The direction is pedestrian at times in the non-musical scenes but is very efficient mostly while the performances are good too, Gracie Allen is adorable and very funny and Robert Young is charming and quite gifted in comedy. But Honolulu is Eleanor Powell's film, she radiates the screen and generates warmth and ease, plus her dancing is just incredible (easily among the best dancers on film). Overall, not great but pleasant entertainment. 6/10 Bethany Cox
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