Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
A bumbling pants presser at an upscale hotel's valet service nurses an unrequited crush on a Broadway star. He gets more than he bargained for when she agrees to marry him, to spite her womanizing fiance, and encounters Nazi saboteurs.
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Ellen is a free spirited young woman in love with Doug. Sadly he must leave America for a two year job in Belgium. Ellen and Doug decide to spend their last weekend together in a tourist ... See full summary »
Thirteen women who were schoolmates send to a swami for their horoscopes. Little do they realize that Ursula, a half-breed Asian, is using her hypnotic powers over the swami and them to ... See full summary »
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
Movie star Brooks Mason tries to avoid his fans and spend some weeks on vacation. When Hawaiian plantation owner George Smith is mistaken by Mason's fans for Mason and brought to Mason's home. They decide to exchange their identities for a few weeks. But George Smith is mobbed by Mason's fans again on a personal appearance tour in New York, Mason falls in love with dancer Dorothy March, who also is on her way to Hawaii. Problems for Mason arise due to the fact that Smith is engaged to Cecilia Grayson and her wealthy father believes that Smith has double-crossed him. Mason isn't able to establish a connection with Smith in New York due to his agent's orders. Written by
Stephan Eichenberg <firstname.lastname@example.org>
The entire "Hola E Pae" number of the Hawaiian Medley was inserted into the movie I Dood It (1943). See more »
[Millie has just spotted movie star Brooks Mason on the deck of a cruise ship]
Millie De Grasse:
My dream man! I'm gonna meet him in person. And I warn you, if he makes one false move, I'm his!
I suppose you think it'll do you a lot of good to throw yourself at him.
Millie De Grasse:
Throw myself at him? If I thought it would do any good, I'd have myself shot at him out of a cannon!
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(Spoilers, sort of) Why do I use the word enigma? Because MGM never seemed to know exactly what to do with the great Eleanor Powell. Not unlike the swimming Esther Williams, Powell's films were a kind of specialized musical entertainment where the most uncanny situations had to be dreamed up to show off her tap-dancing skills. And while she was a premier tap dancer- and a better dancer than an actress, she usually danced alone- unlike her male counterparts (Astaire, Kelly, et al) who were usually given dancing partners who doubled as their love interests. In this film, Powell's co-star is the non-dancing Robert Young, who's given a rather foolish subplot in a dual role as a movie star and his double who create havoc when they switch identities. And that's all there is to it. George Burns and Gracie Allen, billed as the second leads, play more apart than they do together. Powell's dance numbers, of course, are sensational: A stair-step routine paying homage to Bill Robinson (while the blackface makeup is startling, the dancing itself is terrific); a shipboard dance with a skipping rope as a prop; and the piece-de-resistance: an all-out grass skirt hula done in two parts: first as a barefoot native dance, then as an ultra-smooth tap sequence done with silver tap shoes. Powell may have been the only woman dancer to dance with her whole body: lots of arm movements, knee bends, splits, high kicks, and puree-speed turns. It's a fun film to watch just for this incredible number.
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