| Alice Faye | ... | Molly Adair | |
| Don Ameche | ... | Michael Linnett Connors | |
| J. Edward Bromberg | ... | Dave Spingold | |
| Alan Curtis | ... | Nicky Hayden | |
| Stuart Erwin | ... | Pete Tinney | |
| Jed Prouty | ... | Chief of Police | |
| Buster Keaton | ... | Buster Keaton | |
| Donald Meek | ... | Lyle P. Stout | |
| George Givot | ... | Englishman | |
| Al Jolson | ... | Al Jolson-Recreation of Jazz Singer Scene (as Mr. Al Jolson) | |
| Eddie Collins | ... | Keystone Cop | |
| Hank Mann | ... | Keystone Cop | |
| Heinie Conklin | ... | Keystone Cop | |
| James Finlayson | ... | Keystone Cop | |
| Chick Chandler | ... | Assistant Director | |
| Robert Lowery | ... | Henry Potter | |
| Russell Hicks | ... | Roberts | |
| Ben Welden | ... | Agent | |
| Willie Fung | ... | Willie | |
| Paul Stanton | ... | Filson | |
| Mary Forbes | ... | Mrs. Gaynes | |
| Joseph Crehan | ... | Attorney | |
| Irving Bacon | ... | Clerk | |
| Ben Turpin | ... | Bartender | |
| Chester Conklin | ... | Sheriff | |
| Marjorie Beebe | ... | Telephone Operator | |
| Frederick Burton | ... | Thomas | |
| Lee Duncan | ... | Lee Duncan - Dog Trainr | |
| Rin Tin Tin Jr. | ... | Rin-Tin-Tin | |
| rest of cast listed alphabetically: | |||
| Sam Ash | ... | Actor in 'Common Clay' (uncredited) | |
| Herbert Ashley | ... | Gus, Diner Proprietor (uncredited) | |
| Bonnie Bannon | ... | Pretty Girl (uncredited) | |
| Lynn Bari | ... | Actress in 'The Man Who Came Back' (uncredited) | |
| John Butler | ... | Telegraph Operator (uncredited) | |
| Georgia Caine | ... | Reporter (uncredited) | |
| Ray Cooke | ... | First Cab Driver (uncredited) | |
| Jack Cooper | ... | Burglar (uncredited) | |
| Dorothy Dearing | ... | Girl with Michael at Anniversary Party (uncredited) | |
| Edward Earle | ... | Actor (uncredited) | |
| Franklyn Farnum | ... | Well-Wisher (uncredited) | |
| Arno Frey | ... | Maitre d'Hotel (uncredited) | |
| Harold Goodwin | ... | Prop Boy (uncredited) | |
| Fay Helm | ... | Nurse (uncredited) | |
| J. Anthony Hughes | ... | Motorcycle Policeman (uncredited) | |
| John Ince | ... | Actor as Court Officer (uncredited) | |
| Mark Jones | ... | Keystone Kop (uncredited) | |
| Paul McVey | ... | Stage Manager Announcing Understudy Will Perform (uncredited) | |
| Dave Morris | ... | Stooge (uncredited) | |
| Forbes Murray | ... | Criterion Theater Manager (uncredited) | |
| 'Snub' Pollard | ... | Keystone Cop (uncredited) | |
| Alexander Pollard | ... | Nicky's Butler (uncredited) | |
| Victor Potel | ... | Slim, a Counterman (uncredited) | |
| Arthur Rankin | ... | Assistant Cameraman (uncredited) | |
| Cyril Ring | ... | First Row Extra in Theater Audience (uncredited) | |
| Marshall Ruth | ... | Roscoe 'Fatty' Arbuckle (uncredited) | |
| Francis Sayles | ... | Second Cab Driver (uncredited) | |
| Mack Sennett | ... | Mack Sennett - Speech in Honor of Molly Adair (uncredited) | |
| Iva Stewart | ... | Girl with Michael at Anniversary Party (uncredited) | |
| Fred 'Snowflake' Toones | ... | Train Porter (uncredited) | |
| Harry Tyler | ... | Studio Guide (uncredited) | |
| Billy Wayne | ... | Assistant Stage Manager (uncredited) | |
Directed by | |||
| Irving Cummings | |||
| Buster Keaton | (uncredited) | ||
| Malcolm St. Clair | (silent film sequences) (uncredited) | ||
Writing credits | ||
| Ernest Pascal | (screenplay) | |
| Hilary Lynn | (story) & | |
| Brown Holmes | (story) | |
| Lou Breslow | (based upon an original idea by) | |
| James Edward Grant | dialogue contibutor (uncredited) | |
| Malcolm St. Clair | silent film sequences (uncredited) | |
Produced by | |||
| Harry Joe Brown | .... | associate producer | |
| Darryl F. Zanuck | .... | producer | |
Original Music by | |||
| David Buttolph | (uncredited) | ||
| Cyril J. Mockridge | (uncredited) | ||
| David Raksin | (uncredited) | ||
| Rudy Schrager | (uncredited) | ||
Cinematography by | |||
| Allen M. Davey | |||
| Ernest Palmer | |||
Film Editing by | |||
| Walter Thompson | |||
Art Direction by | |||
| Richard Day | |||
| Wiard Ihnen | (as Wiard B. Ihnen) | ||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| Herschel McCoy | (as Herschel) | ||
Second Unit Director or Assistant Director | |||
| Ad Schaumer | .... | assistant director (uncredited) | |
Sound Department | |||
| Eugene Grossman | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| Roger Heman Sr. | .... | sound re-recording mixer (uncredited) | |
Stunts | |||
| Gordon Carveth | .... | stunts (uncredited) | |
| Duke Green | .... | stunts (uncredited) | |
| Teddy Mangean | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) | |
| Bob Rose | .... | stunts (uncredited) | |
| John Sinclair | .... | stunts (uncredited) | |
| Jack Stoney | .... | stunts (uncredited) | |
| Marcus Turk | .... | stunts (uncredited) | |
Music Department | |||
| Louis Silvers | .... | musical director | |
Other crew | |||
| Henri Jaffa | .... | associate technicolor director | |
| Natalie Kalmus | .... | technicolor director | |
| Mack Sennett | .... | supervisor: silent film sequences (as Mr. Mack Sennett) | |
Thanks | |||
| Chester Conklin | .... | thanks | |
| Al Jolson | .... | appreciation for his appearance (as Mr. Al Jolson) | |
| Buster Keaton | .... | thanks | |
| Hank Mann | .... | thanks | |
| 'Snub' Pollard | .... | thanks (as Snub Pollard) | |
| Jed Prouty | .... | thanks | |
| Ben Turpin | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
ALICE FAYE is very lovingly photographed in her first Technicolor film, even though it does require her to get a few pies thrown in her face. DON AMECHE puts so much energy into his role as a wanna be director that he often sounds like Jackie Gleason on "The Honeymooners" when he goes into one of his tirades. Both perform well within the limits of a tiresome boy meets girl, boy loses girl, boy wins girl kind of story set against the early days of motion pictures.
The premise is a good one--using B&W whenever depicting scenes from the films that Molly Adair (Alice Faye) is doing with the Keystone Cops, Buster Keaton, Eddie Collins, Ben Turpin and Chester Conklin, real stars from the silent era. But what starts out as a promising romantic comedy soon delves into trite romantic situations with Faye pining for Ameche, whose mind is never on romance but only on hard work as he dreams up new ideas for her future films. ALAN CURTIS is the leading man Ameche chooses for her and she falls in love with him. But never fear, the script makes sure that she winds up with a reformed Ameche at the end.
Most of it is good fun but the middle part sags a bit and the script loses all originality once it starts to feel sorry for its heroine. It's a shame nobody gets a chance to sing or dance--which may have livened things up a little after the midway point.
Interesting mainly as a glimpse at how silent films were made from the period 1913 through 1928. There's even a peek at Al Jolson's breakthrough talkie "The Jazz Singer," although it's a recreation and not a clip from the original.