Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the ... See full summary »
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Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol. Written by
Paul Penna <tterrace@wco.com>
The character of Gulliver was "rotoscoped" - a method devised by the Fleischers where the drawing was achieved by tracing over the movements of a live actor. See more »
Quotes
[first lines]
Gabby:
[singing]
All's well, what's a rainy day? / Never mind that cloud, behind that cloud you'll find a golden ray.
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Talk about unforgettable music! I saw "Gulliver's Travels" forty years ago on Saturday-afternoon television, and I can STILL hum much of the Ralph Rainger/Leo Robin score, especially "Faithful", "Forever", "Faithful Forever", "We're All Together Now", and "Orchids in the Moonlight". What a songwriting team they were.
It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards.
Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music.
And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material).
Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them.
Highest recommendation. ****
23 of 24 people found this review helpful.
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Talk about unforgettable music! I saw "Gulliver's Travels" forty years ago on Saturday-afternoon television, and I can STILL hum much of the Ralph Rainger/Leo Robin score, especially "Faithful", "Forever", "Faithful Forever", "We're All Together Now", and "Orchids in the Moonlight". What a songwriting team they were.
It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards.
Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music.
And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material).
Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them.
Highest recommendation. ****