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The Great Victor Herbert (1939)

Approved | | Biography, Music, Musical | 29 December 1939 (USA)
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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview:
...
John Ramsey
...
Louise Hall
...
...
Dr. Richard Moore
...
Marie Clark
Susanna Foster ...
Peggy
...
Barney Harris
John Garrick ...
Warner Bryant
...
Albert Martin
Richard Tucker ...
Michael Brown
Hal K. Dawson ...
George Faller
Emmett Vogan ...
Forbes
Mary Currier ...
Mrs. Victor Herbert
James Finlayson ...
Lamplighter
Sandra Lee Richards ...
Peggy - as a Young Girl
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Storyline

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Taglines:

Hear 28 Victor Herbert Melodies (original print ad-) See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

29 December 1939 (USA)  »

Also Known As:

Celos de gloria  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Originally to be titled "The Gay Days of Victor Herbert." See more »

Soundtracks

Ah, Sweet Mystery of Life
Music by Victor Herbert
Lyrics by Rida Johnson Young
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User Reviews

 
Worth watching - for those who enjoy this sort of thing
28 May 2006 | by (United Kingdom) – See all my reviews

An enjoyable film, but it is not really (in fact, not at all) a biography of Victor Herbert, as the title suggests. The music, however, is a delight, and although Herbert's music would now no doubt be considered 'dated' by many people, he did have a sure melodic gift. Many of his songs have a wide vocal range and are by no means easy to sing; one of his trademarks is the use of wide and unusual intervals (e.g. a major ninth in 'I'm falling in love with someone'; an octave plus a semitone, a major seventh and a tenth in 'Kiss me again'). This, combined with the sometimes flowery lyrics and his penchant for the slow waltz, give his music an old-world charm that is well served in this film by the performances, the set and the costumes.

Allan Jones and Mary Martin are both worth seeing - and hearing. Allan Jones had a fine tenor voice, which he uses here to good effect. It is always interesting to see Mary Martin on screen - although she comes over as perfectly fine - indeed good - there is perhaps little to suggest that she would go on to become one of the very greatest musical stars of Broadway (and, indeed, also of the West End in London) of the middle years of the twentieth century. (Those who doubt that this film allows us to hear her real singing voice of these years should seek out a recording of her in Noel Coward's Pacific 1860 (London, 1946), in which she plays an opera diva, or of Peter Pan, in which her coloratura pyrotechnics can be heard.)

All in all, an enjoyable film for those who like the music of Victor Herbert (and people who enjoy operetta music or musicals generally are likely to find Herbert's music worth exploring) and also for those who are fans of the stars.


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