Rosie is a sweet, rich and generous woman, especially when is comes to giving money. Daughters, Mildred and Edith, are worried that she will spend all their inheritance, so they plan to ... See full summary »
Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to... See full summary »
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
This is a film with a very misleading title - we expect a biography of the great operetta composer. Instead he is a supporting figure in a love story between his temperamental male singing star (Allan Jones)and the latter's new discovery (Mary Martin) as they go through a tedious 91 minute combination of A STAR IS BORN and SHOW BOAT. The cinematography earned an Oscar nom though it did not deserve it. Its noms for Scoring and Sound were deserved. The Academy however missed a chance to honor the lavish Art Direction which it deserved as well. Jones and Martin are good enough (I'd swear Martin was at least partially dubbed- never heard her sing so high and if she could sing that high, why did she refuse any duets with Pinza when R&H were constructing SOUTH PACIFIC?) - and Susanna Foster is a marvelous find as daughter Peggy. Walter Connolly as Herbert is hardly around at all -perhaps Cuddles Zakall would have been a better choice. Unless you're a fan of Herbert's music (there's plenty of it) or the stars, stay away from this one.
2 of 2 people found this review helpful.
Was this review helpful to you?