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Directed by | |||
| Victor Fleming | |||
| George Cukor | (uncredited) | ||
| Sam Wood | (uncredited) | ||
Writing credits | ||
| Margaret Mitchell | (novel) | |
| Sidney Howard | (screenplay) | |
| Oliver H.P. Garrett | contributing writer (uncredited) | |
| Ben Hecht | contributing writer (uncredited) | |
| Jo Swerling | contributing writer (uncredited) | |
| John Van Druten | contributing writer (uncredited) | |
Produced by | |||
| David O. Selznick | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Ernest Haller | (photographed by) | ||
| Lee Garmes | (photographed by) (uncredited) | ||
Casting by | |||
| Charles Richards | (uncredited) | ||
| Fred Schuessler | (uncredited) | ||
Production Design by | |||
| William Cameron Menzies | |||
Art Direction by | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Howard Bristol | (uncredited) | ||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist: Miss Leigh (uncredited) | |
| Ben Nye | .... | associate hair stylist (uncredited) | |
| Ben Nye | .... | associate makeup artist (uncredited) | |
| Hazel Rogers | .... | associate hair stylist (uncredited) | |
| Hazel Rogers | .... | associate makeup artist (uncredited) | |
| Monte Westmore | .... | hair stylist (uncredited) | |
| Monte Westmore | .... | makeup artist (uncredited) | |
Production Management | |||
| Raymond A. Klune | .... | production manager | |
| William J. Scully | .... | unit manager (uncredited) | |
| Daniel T. Shea | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eric Stacey | .... | assistant director (as Eric G. Stacey) | |
| Peter Ballbusch | .... | second unit director (uncredited) | |
| Ridgeway Callow | .... | second assistant director (uncredited) | |
| B. Reeves Eason | .... | second unit director (uncredited) | |
| Arthur Fellows | .... | second second assistant director (uncredited) | |
| James A. FitzPatrick | .... | second unit director: Southern backgrounds (uncredited) | |
| Harve Foster | .... | first assistant director: second unit (uncredited) | |
| Chester M. Franklin | .... | second unit director: Chico unit (uncredited) | |
| William Cameron Menzies | .... | second unit director (uncredited) | |
| John Sherwood | .... | second second assistant director: second unit (uncredited) | |
| Ralph Slosser | .... | second assistant director: second unit (uncredited) | |
Art Department | |||
| Edward G. Boyle | .... | interior decorator | |
| Joseph B. Platt | .... | interiors | |
| Harold Coles | .... | property manager (uncredited) | |
| Arden Cripe | .... | on-set propmaster (uncredited) | |
| Hobe Erwin | .... | set designer (uncredited) (replaced) | |
| Harold Fenton | .... | construction superintendent (uncredited) | |
| James Forney | .... | drapes (uncredited) | |
| Dorothea Holt | .... | illustrator (uncredited) | |
| Ross B. Jackman | .... | propmaker (uncredited) | |
| J. McMillan Johnson | .... | production illustrator (uncredited) | |
| Roy McLaughlin | .... | greensman (uncredited) | |
| Joseph B. Platt | .... | set designer (uncredited) | |
| George Rule | .... | assistant property master (uncredited) | |
| Henry J. Stahl | .... | art department supervisor (uncredited) | |
| Florence Yoch | .... | landscaping: Tara (uncredited) | |
Sound Department | |||
| Frank Maher | .... | sound recordist | |
| Fred Albin | .... | sound effects editor (uncredited) | |
| Fred Albin | .... | sound re-recordist (uncredited) | |
| Ellis Burman | .... | sound restoration engineer (restored version) (uncredited) | |
| T.A. Carman | .... | boom operator (uncredited) | |
| Arthur Johns | .... | sound effects editor (uncredited) | |
| Arthur Johns | .... | sound re-recordist (uncredited) | |
| Thomas T. Moulton | .... | sound director (uncredited) | |
| Gordon Sawyer | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| Jack Cosgrove | .... | special photographic effects | |
| R.D. Musgrave | .... | mechanical effects supervisor (uncredited) | |
| Lee Zavitz | .... | fire effects (uncredited) | |
Visual Effects by | |||
| F.R. Abbott | .... | back projection (uncredited) | |
| Haller Belt | .... | back projection (uncredited) | |
| Alan Cook | .... | back projection (uncredited) | |
| Byron L. Crabbe | .... | matte artist (uncredited) | |
| Fitch Fulton | .... | matte artist (uncredited) | |
| Jack Shaw | .... | matte artist (uncredited) | |
| Albert Simpson | .... | matte artist (uncredited) | |
| Clarence Slifer | .... | special effects cinematographer (uncredited) | |
Stunts | |||
| Yakima Canutt | .... | stunt coordinator (uncredited) | |
| Yakima Canutt | .... | stunt double: Clark Gable (uncredited) | |
| B. Reeves Eason | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Frank Fawcett | .... | stunt double: Paul Hurst (uncredited) | |
| Lila Finn | .... | stunt double: Vivien Leigh (uncredited) | |
| Aline Goodwin | .... | stunt double: Vivien Leigh (uncredited) | |
| Carey Harrison | .... | stunts (uncredited) | |
| Richard Smith | .... | stunt double: Cammie King (uncredited) | |
| Dale Van Sickel | .... | stunts (uncredited) | |
| Hazel Warp | .... | stunt double: Vivien Leigh (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Arthur E. Arling | .... | camera operator (uncredited) | |
| R.J. Campbell | .... | rigging gaffer (uncredited) | |
| Roy Clark | .... | second assistant camera (uncredited) | |
| Vincent J. Farrar | .... | camera operator (uncredited) | |
| Paul Hill | .... | assistant camera (uncredited) | |
| Paul Ivano | .... | director of photography: second unit (uncredited) | |
| Wally Oettel | .... | electrical superintendent (uncredited) | |
| Roy F. Overbaugh | .... | camera department head (uncredited) | |
| Fred Parrish | .... | still photographer (uncredited) | |
| James Potevin | .... | chief electrician (uncredited) | |
| Harold Rosson | .... | director of photography: second unit (uncredited) | |
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
| Karl Struss | .... | director of photography: Technicolor tests (uncredited) | |
| Arthur Williams | .... | second assistant camera (uncredited) | |
| Fred Williams | .... | chief grip (uncredited) | |
| Harry L. Wolf | .... | camera operator (uncredited) | |
Casting Department | |||
| Harvey Clermont | .... | casting assistant (uncredited) | |
| Charles Richards | .... | casting manager (uncredited) | |
| Fred Schuessler | .... | casting manager (uncredited) | |
Costume and Wardrobe Department | |||
| Marion Dabney | .... | associate wardrobe supervisor (uncredited) | |
| Elmer Ellsworth | .... | associate wardrobe supervisor (uncredited) | |
| John Frederics | .... | hat designer: Scarlett (uncredited) | |
| Edward P. Lambert | .... | wardrobe supervisor (uncredited) | |
| Edward Maeder | .... | consultant: costumes (uncredited) | |
| Michi Okubo | .... | costumer (uncredited) | |
| Eddie Schmidt | .... | tailor: Mr. Gable (uncredited) | |
Editorial Department | |||
| Hal C. Kern | .... | supervising editor | |
| James E. Newcom | .... | associate editor | |
| Ernie Leadlay | .... | assistant film editor (uncredited) | |
| Richard L. Van Enger | .... | assistant film editor (uncredited) | |
Music Department | |||
| Louis Forbes | .... | assistant musical director (as Lou Forbes) | |
| William Axt | .... | composer: stock music (uncredited) | |
| R.H. Bassett | .... | orchestrator (uncredited) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
| Adolph Deutsch | .... | composer: additional music (uncredited) | |
| Adolph Deutsch | .... | orchestrator (uncredited) | |
| Hugo Friedhofer | .... | composer: additional music (uncredited) | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
| Stuart Frye | .... | music editor (uncredited) | |
| Bernhard Kaun | .... | orchestrator (uncredited) | |
| Earl B. Mounce | .... | music mixer (uncredited) | |
| Joseph Nussbaum | .... | music arranger (uncredited) | |
| Heinz Roemheld | .... | composer: additional music (uncredited) | |
| Max Steiner | .... | conductor (uncredited) | |
| Franz Waxman | .... | composer: stock music (uncredited) | |
Transportation Department | |||
| Joyce Allen | .... | transportation coordinator (uncredited) | |
| George Doan | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Wilfred M. Cline | .... | associate: Technicolor (as Wilfrid M. Cline) | |
| Natalie Kalmus | .... | supervisor: Technicolor Co. | |
| Barbara Keon | .... | scenario assistant | |
| Wilbur G. Kurtz | .... | historian | |
| Susan Myrick | .... | technical advisor | |
| Will Price | .... | technical advisor | |
| Ray Rennahan | .... | associate: Technicolor | |
| Betty Baldwin | .... | executive secretary: Mr. Selznick (uncredited) | |
| Peter Ballbusch | .... | montage director (uncredited) | |
| Russell Birdwell | .... | publicist (uncredited) | |
| Katherine Brown | .... | story editor: Eastern (uncredited) | |
| William Clark | .... | wrangler (uncredited) | |
| Lillian K. Deighton | .... | researcher (uncredited) | |
| Howard Dietz | .... | publicist: Atlanta and New York premieres (uncredited) | |
| Connie Earl | .... | script clerk (uncredited) | |
| Frank Floyd | .... | dance director (uncredited) | |
| Henry Ginsberg | .... | studio manager (uncredited) | |
| Charles Handley | .... | consultant: National Carbon Corp. (uncredited) | |
| Carey Harrison | .... | riding double: Thomas Mitchell (uncredited) | |
| William Hebert | .... | assistant: Mr. Dietz (uncredited) | |
| Will Hill | .... | technical advisor (uncredited) | |
| Winton C. Hoch | .... | consultant: Technicolor Color Company (uncredited) | |
| Henri Jaffa | .... | associate supervisor: Technicolor Co. (uncredited) | |
| David Joy | .... | consultant: National Carbon Corp. (uncredited) | |
| Val Lewton | .... | story editor (uncredited) | |
| Al Lichtman | .... | agent: Loew's Inc. (uncredited) | |
| Mason N. Litson | .... | location manager (uncredited) | |
| Franclein Macconnel | .... | script reader (uncredited) | |
| William S. McCune | .... | production assistant (uncredited) | |
| Mozelle Miller | .... | stand-in: Ms. Leigh (uncredited) | |
| Richard Mueller | .... | color advisor (uncredited) | |
| R.D. Musgrave | .... | mechanical engineer (uncredited) | |
| Eddie Prinz | .... | dance director (uncredited) | |
| Lydia Schiller | .... | script clerk (uncredited) | |
| Myron Selznick | .... | production associate (uncredited) | |
| Howard Strickling | .... | unit publicist (uncredited) | |
| Arthur Tovey | .... | double: Leslie Howard (uncredited) | |
| Frank Whitbeck | .... | trailer supervisor (uncredited) | |
| C.V. Whitney | .... | production associate (uncredited) | |
| John Hay Whitney | .... | production associate (uncredited) | |
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| Der Fangschuß | Giant | The Good Earth | Die Blechtrommel | Novecento |
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'Gone with the Wind' is one of the greatest American classics ever made. It tells the story of Scarlett O'Hara, played the very beautiful Vivien Leigh. She is one of the most selfish heroines you will ever see in a movie and still care for her. She is in love with Ashley Wilkes (Leslie Howard) but he marries to Melanie Hamilton. She is played by Olivia de Havilland in a great performance. A new man in Scarlett's life is Rhett Butler (Clark Gable) but Scarlett does everything to get what she wants including marrying someone for money and her own benefit. Rhett loves Scarlett with all his heart, mainly because they are much the same. They both think the world is there for them. Melanie and Scarlett become friends.
The movie is set in the time of the Civil War. What happens exactly with Scarlett, Rhett, Ashley and Melanie is for you to see but the war is pretty important for the story and the way it is used is great. The story itself is great anyway. Although the movie is long it is never boring. A reason for that is the performances. I already mentioned Olivia de Havilland, Clark Gable is very good, charming and sometimes funny, Hattie McDaniel as the black made is outstanding but I have to say that the best thing in this movie is Vivien Leigh. To make you care for a character like that is a pretty hard thing to do, but she makes it seem so easy. It is one of the strongest performances I have seen.
Besides the story and the acting we have the music, the sets, the costumes, the cinematography and of course the direction. It is all great. It was made in 1939 and over 60 years later it still is a very impressive movie.