After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
The protagonist of the derivative work "The Wind Done Gone" (2001) is Cynara, Scarlett's paternal half-sister. She is of mixed race, daughter of Gerald O'Hara and Mammy. She is born a slave and serves as a lifelong rival of her half-sister. See more »
During the barbecue at the Wilkes' where she wears a green dress we have not previously seen, Scarlett says to the Tarleton twins, "but I wore this old thing because I thought you liked it." While this could be taken as a reference to an earlier scene (which it was in the novel), she could just as well be referring to a time before the movie started. (In the original script she was seen earlier in the green dress, but the dress was changed to white without changing the line in this scene). See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »
I believe that when one views a film, one should consider the context in which it was made.
Barely 10 years after talking pictures were first created; less than that after the first full-length color feature film was created; near the end of the greatest depression this country ever experienced, and in which pretty much the only entertainment available to most was radio or the movies; David O Selznik decided to turn the biggest pot-boiler blockbuster novel into a movie.
And what a movie. Stunning color, the most popular mail actor of his time, perfect music score, incredible action scenes, story line only 70 years removed from when it happened, and on, and on. Can you imagine what a store-clerk or a farmer, or a teacher experienced in that world, seeing Gone With the Wind? What was there to compare with? 1939 was a watershed year for great movies, and this one was the greatest produced. Try watching this movie as if there were no TV, no DVD's, only a few radio stations, spending maybe the second to the last quarter you owned, never having seen such a movie before, and you get what I mean. Masterful for its time, and still timeless today.
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