After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
The first rough cut in July 1939 ran four and a half hours - 48 minutes longer than the final release. See more »
Before Scarlett, Rhett, Prissy and Melanie leave for Tara, Scarlett's hair is messed up. It's neater when she gets into the wagon. When they stop so Rhett can leave, her hair is almost neat. When she arrives at home, it's messy again. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »
It is always in people's nature to put down great things and to nit-pick or sometimes just be plain mean. No matter what anyone says, this is utterly fantastic: in story, in special effects, in casting (with perhaps the sad exception of Leslie Howard as "Ashley") and in captivation. Vivien Leigh is so powerful, passionate, magnificent and beautiful that you could watch it 1000 times on that ground alone. She brings something so convincing and human to the role of the selfish, spoilt Scarlett; the character is larger than life.
Leaving Vivien's astounding performance aside, this remains a sweeping unrivalled epic. Watch it. Esther's rating: 20/10
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