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Gone with the Wind (1939)

 -  Drama | Romance | War  -  17 January 1940 (USA)
8.2
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Ratings: 8.2/10 from 179,924 users  
Reviews: 665 user | 148 critic

A manipulative Southern belle carries on a turbulent affair with a blockade runner during the American Civil War.

Directors:

, (uncredited) , 1 more credit »

Writers:

(story), (screen play), 4 more credits »
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Title: Gone with the Wind (1939)

Gone with the Wind (1939) on IMDb 8.2/10

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Top 250 #158 | Won 8 Oscars. Another 11 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Ellen - His Wife (as Barbara O'Neill)
...
...
...
...
Fred Crane ...
...
Oscar Polk ...
...
...
Everett Brown ...
Howard C. Hickman ...
John Wilkes (as Howard Hickman)
Alicia Rhett ...
...
Edit

Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

The greatest romance of all time! See more »

Genres:

Drama | Romance | War

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 January 1940 (USA)  »

Also Known As:

Lo que el viento se llevó  »

Filming Locations:

 »

Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend:

$1,192,593 (USA) (26 June 1998)

Gross:

$198,655,278 (USA) (13 November 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

(Western Electric Sound System) (5.0 Surround Sound) (L-R)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Margaret Mitchell was dismayed at the scale of the Tara and Twelve Oaks sets, writing to her friend, technical advisor Susan Myrick, "I grieve to hear that Tara has columns. Of course, it didn't and looked nice and ugly like Alex Stephens' Liberty Hall [in Crawfordville, Georgia]." And, "I had feared, of course that [Twelve Oaks] would end up looking like the Grand Central Station, and your description confirms my worst apprehensions. I did not know whether to laugh or to throw up at the TWO staircases.... God help me when the reporters get me after I've seen the picture. I will have to tell the truth, and if Tara has columns and Twelve Oaks is such an elegant affair I will have to say that nothing like that was ever seen in Clayton County, or, for that matter, on land or sea.... When I think of the healthy, hardy, country and somewhat crude civilization I depicted and then of the elegance that is to be presented, I cannot help yelping with laughter... " See more »

Goofs

After Rhett and Scarlett flee Atlanta, he stops the wagon at the crossroad to Tara. When he does, he sets the brake on the wagon. After he leaves Scarlett, she turns to the horse and starts to lead it down the road to Tara - without releasing the brake. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Connections

Referenced in There Goes the Neighborhood (1992) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
In the score after Scarlett's nightmare
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Astounding Film - GWTW is the Definition of a Classic!
15 November 2003 | by (United States) – See all my reviews

The setting is a Georgia plantation. The year is 1861, and sixteen-year-old Scarlett O'Hara is infatuated with the blond, drowsy-eyed Ashley Wilkes - the problem is, Ashley plans to marry another woman. Little matter that every other man in the county is courting Scarlett and that a charming scoundrel named Rhett Butler is staring at her with questionable intent - she cares only for Ashley.

Suddenly, the Civil War brakes out, changing the fates and fortunes of all. Scarlett, clever, manipulative, and charming, proves an adept survivor - but what will she have to do to survive? And will she ever learn whom it is that she really loves?

GWTW is one of the most meticulously cast films ever; with the possible exception of Leslie Howard as Ashley (in his forties, rather old to be playing a man half that age), every role was perfectly assigned. After you watch Vivien Leigh you will be unable to imagine anyone else playing Scarlett, and Hattie McDaniel's strong, unforgettable performance as "Mammy" netted her an academy award (the first for an African-American actor).

GWTW's backdrop is the gruesome Civil War, and in the end this film is the story a woman and a civilization (the Old South) going through a war that will not leave either of them unchanged.

The cinematography is beautiful, memorable. Gone With the Wind was shot entirely in gorgeous technicolor; the scene of the fire in Atlanta required the use of all eight technicolor cameras in existence at the time.

The pragmatic may think Gone with the Wind overly dramatic; the restless may find it too long; the action-stimulated, too subtle. None of this, however, detracts from the fact that GWTW retains a lasting appeal as one of the crowning cinematic achievements of the 20th century. Those who see its ending as depressing - tragic, even - perhaps miss the point - which Scarlett O'Hara makes in her very last instant with us, tear-stained eyes uplifted in a sudden, curious burst of hope beneath all the turmoil; that .. . "After all, tomorrow is another day." 10/10


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