After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by
Dale O'Connor <email@example.com>
One of the often overlooked subplots of the novel is the decline of Rhett Butler. He starts out as a self-made man, a successful businessman who is never afraid to speak his mind. During the novel he devotes more and more time to his obsession with Scarlett and their daughter Bonnie Blue, starts conforming more to society's expectations and drowns his frustrations in alcohol. Following the death of his daughter and the deterioration of his marriage, Rhett becomes a broken man with alcoholic tendencies. His decision to return to his native Charleston in an attempt to reconnect with his past is hardly a step forward. See more »
When they're leaving for Tara, Rhett carries Melanie from her bed with both arms while Scarlett holds a lamp on the other side of the room. In the next shot, a hat appears on Rhett's head despite the fact that no one in the room could have put it on him. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »
Every time I watch this film, and I've seen it more times than I can remember, I'm always astonished by the freshness of the story, the power of the emotions it conveys and the beautiful, detailed images of a time long gone. That this film was made in the 1930's is almost incomprehensible to me. The challenges that had to be overcome in order to bring it to life must have been monumental. But come to life it did, and still does! A triumph of film-making ingenuity and genius, that will live on for many generations to come.
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