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Gone with the Wind (1939)

 -  Drama | Romance | War  -  17 January 1940 (USA)
8.2
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Ratings: 8.2/10 from 162,081 users  
Reviews: 653 user | 130 critic

A manipulative Southern belle carries on a turbulent affair with a blockade runner during the American Civil War.

Directors:

, (uncredited) , 1 more credit »

Writers:

(story), (screen play), 4 more credits »
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Title: Gone with the Wind (1939)

Gone with the Wind (1939) on IMDb 8.2/10

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Top 250 #153 | Won 8 Oscars. Another 10 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Ellen - His Wife (as Barbara O'Neill)
...
...
...
...
Fred Crane ...
...
Oscar Polk ...
...
...
Everett Brown ...
Howard C. Hickman ...
John Wilkes (as Howard Hickman)
Alicia Rhett ...
...
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Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Winner of Ten Academy Awards [reissue] See more »

Genres:

Drama | Romance | War

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 January 1940 (USA)  »

Also Known As:

Gone with the Wind  »

Filming Locations:

 »

Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend:

$1,192,593 (USA) (26 June 1998)

Gross:

$198,655,278 (USA) (13 November 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This was cinematographer Ernest Haller's first color film. See more »

Goofs

When Ashley comes to Atlanta for Christmas during the war, he and Melanie go upstairs to bed and call over the banister of the staircase landing to Scarlett. They proceed on to their room, and we see the light from their room reflected on the wall at the staircase landing. The light disappears as their bedroom door closes, leaving Scarlett watching in misery. However, when we see Prissy and Scarlett packing to leave Atlanta because Sherman is coming (while Melanie is in labor) it appears that there is no bedroom in a position that could leave a light on the landing wall. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Connections

Referenced in Beyond the Blue (1978) See more »

Soundtracks

The Old Folks at Home (Swanee River)
(1851) (uncredited)
Written by Stephen Foster
In the score at the train depot and during the intermission
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Scarlett's So High Spirited And Vivacious
21 October 2006 | by (Buffalo, New York) – See all my reviews

Before I ever saw Gone With the Wind, I was well acquainted with Max Steiner's theme. It opened WOR TV's Million Dollar Movie before every broadcast in New York in the Fifties and Sixties. When my parents took me to see Gone With the Wind in one of MGM's re-releases as the film music started in my youthful eagerness to show off my knowledge I remarked to all who could hear that that was stolen from Million Dollar Movie.

Million Dollar Movie is gone now, but Gone With the Wind, book and film, remain eternal. In these days Margaret Mitchell's southern point of view book might have trouble finding a publisher, let alone selling film rights to the story. But it is a tribute to her and the characters she created that they remain alive in everyone's mind who reads the novel or sees the film. And that's just about the same because I can't think of another film that remained so faithful to the text.

It is said that Margaret Mitchell wrote the book with Clark Gable in mind as Rhett Butler. As the sober and ever realistic, but charming Rhett, Gable for most of the film is playing a character not to dissimilar from what he usually played on screen. However in the last half hour of the film when he's hit with unbelievable tragedy and he edges to the point of madness, Gable reached dimensions he never did before or subsequently.

If Mitchell knew who she wanted as Rhett, nobody knew who would be Scarlett. The search for Scarlett O'Hara is one of those Hollywood legends as every actress with the possible exception of Edna May Oliver read for the part. Gone With the Wind started filming without a Scarlett as the famous burning of Atlanta sequence was done first. While it was being down, David O. Selznick settled on a fairly unknown British actress, at least in the USA, Vivien Leigh.

It was a stroke of casting genius. Vivien Leigh's screen output is pretty small, she was primarily a stage actress. Gone With the Wind is more her film than Rhett Butler's. The story is her story, how she evolved from a flighty young southern belle to a hardbitten woman who is determined to survive in the style of living she's become accustomed to from the pre-Civil War era. In the process she helps all those around her economically, but loses all their previous affection.

I've always felt the key scene in the film is after Leslie Howard tells Leigh, he'll be marrying Olivia DeHavilland and Leigh makes a fool of herself with him, she finds out that Clark Gable has overheard the whole thing. He's fascinated by her, but because of that he's on to all her ploys.

Leslie Howard usually comes in for the smallest amount of analysis among the four leads. His Ashley Wilkes is not all that different from Alan Squire in The Petrified Forest. Imagine Squire as a wealthy plantation owner and you've Ashley. He's stronger than he realizes though, he's the one that reluctantly enlists in the Confederate Army while the cynical Rhett Butler makes some big bucks as a blockade runner.

I've always felt however that the most difficult acting job in Gone With the Wind was the role of Melanie Hamilton. Olivia DeHavilland after initially considering trying out for Scarlett, decided to go after Melanie.

It's a deceptive part, superficially it's a lot like the crinoline heroines DeHavilland was doing at Warner Brothers. Melanie is the counterpoint to Scarlett, an incredibly kind and decent soul who can't see bad in anyone. One of her best scenes is with Ona Munson who is Belle Watling, the most prominent madam in Atlanta. The other women of society snub her, but DeHavilland accepts her help for the Confederate cause. It's not about politics or slavery for Melanie, her husband is at war and his cause is her's.

And DeHavilland's death scene would move the Medusa to tears. It's a great tribute to the playing skill of Olivia DeHavilland in that Melanie NEVER becomes a maudlin character. She got her first Oscar nomination for Melanie in the Supporting Actress category, but lost it to fellow cast member Hattie McDaniel as Scarlett's mammy.

Hattie's a shrewd judge of character, she's a slave, but she's also a family confidante of the O'Haras. As Gable says, she's one of the few people he knows whose respect he wants.

Of course Gone With the Wind is from the southern point of view. Growing up in Atlanta, Margaret Mitchell heard reminisces from many Confederate veterans and the stories they told found their way into Gone With the Wind. It's about what the white civilian population endured during the war and Reconstruction.

David O. Selznick got a bit of irony in there though. Please note during the burning of Atlanta the slaves who are being marched out to dig trenches are singing 'Let My People Go.' And that's just what the Union Army was coming to Atlanta to do.

Gone With the Wind copped so many Oscars for 1939 that Bob Hope quipped at the Academy Awards ceremony that it was a benefit for David O. Selznick. Of course it was the Best Picture of 1939 and Vivien Leigh won the first of her two Best Actress Awards.

Metro-Goldwyn-Mayer kept itself in the black for years by simply re-releasing Gone With the Wind. Unlike any other classic film, it won new generations of fans with theatrical re-release. Somewhere on this planet there are people seeing this 67 year old classic and it is winning new fans as I write this.

And I think Gone With the Wind, the telling of the interwoven lives of Rhett, Scarlett, Ashley, and Melanie and the world they knew, will be something viewed and read hundreds of years from now.


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