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After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit ... See full summary »
Cecil B. DeMille
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »
Opera singer Chivo is currently playing a singing cowboy, and Mexican bandito Braganza kidnaps him (along with Jane, an heiress) so he can learn to become more like the American movie gangsters he admires.
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William A. Seiter
Joe Bonaparte's father wants him to pursue his musical talent; but Joe wants to be a boxer. Persuading near-bankrupt manager Tom Moody to give him a chance, Joe quickly rises in his new profession. When he has second thoughts Moody's girl Lorna uses feminine wiles to keep him boxing. But when tough gangster Eddie Fuseli wants to "buy a piece" of Joe, Lorna herself begins to have second thoughts...for that and other reasons. Is it too late? Written by
Rod Crawford <email@example.com>
Notable for being William Holden's debut (he was just 21 and looks almost like a schoolboy!), this dated melodrama was adapted from a popular play by Clifford Odets dealing with a young man conflicted about which path to take in his life: a respected artistic career playing the violin and the more alluring celebrity (which also reaps instant monetary rewards) as a prizefighter. His Italian immigrant father (Lee J. Cobb, whose mannered performance has been especially criticized) obviously wants the boy to follow his musical instincts, but the pull of the ring is too great more so because through it he meets and falls for Barbara Stanwyck, actually his manager (Adolphe Menjou)'s fiancée. Though initially acting under the latter's instructions, she eventually tries to dissuade him from fighting, particularly when gangster Joseph Calleia (another fine showcase for the Maltese character actor) takes Holden under his wing. The climax sees the hero winning the championship bout but at the cost of his black opponent's life and his own left hand; with the help of Stanwyck (realizing she really loves the boxer, Menjou relinquishes her) the "Golden Boy" stands up to his new boss interestingly, Calleia lets him off rather too easily here when compared to similar films of later vintage! The film is pretty good (with equally solid support from Sam Levene as Holden's struggling cab driver brother-in-law) though betraying its stage origins by relegating the boxing matches to only a brief montage until the not very imaginatively handled finale; in hindsight, it's curious to find this cinematically lacking given the involvement of Mamoulian and his reputation as one of the most creative directors of the early Talkie era!
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