A girl who is a famous singer in Brazil comes to New York to help clear her brother, who has been charged with arson and murder.



(original story and screenplay), (original story and screenplay)

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Credited cast:
Alan Baldwin ...
Carlos Romero aka Carl Templeton
Clay Clement ...
'Mitch' Mitchell
Annette Templeton (as Adele Pearce)
Lola, Marquita's Maid
Richard Tucker ...
Roger Montgomery
Tony - Band Leader
Eddie Kane ...
First Booking Agent
Lee Phelps ...
Dennis Slater
Rest of cast listed alphabetically:


Marquita Romero, a South American singer in New York, is striving to secure the release of her brother, Carlos, who has been framed on an arson charge through the conniving of the owner of a night club whose sideline racket is collecting insurance on arson fires he has created. She is aided by Steven Ward, who with the help of an investigator for the insurance company, plans to get the evidence on the racketeer by having Marquita getting a job as a singer in the nightclub. She secures the needed proof in the form of a stamp collection in the gangster's safe that the insurance had been collected on. Meanwhile, the crook's jealous girlfriend has discovered Maquita's plan and has blown the whistle on her. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Action | Crime | Music | Mystery


Approved | See all certifications »




Release Date:

7 August 1939 (USA)  »

Also Known As:

A Vénus dos Trópicos  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Mirrophonic)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


The earliest documented telecast of this film took place in New York City Saturday 13 May 1950 on the Night Owl Theatre on WPIX (Channel 11). See more »


Daddy Mine
Written by Harry Tobias
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User Reviews

Crime Melodrama, With Music, Achieves Its Purpose.
8 May 2006 | by (Mountain Mesa, California) – See all my reviews

Alpha Video, DVD distributors of generally unloved and long out of print American films, principally from the 1930s and 1940s, is rendering valuable service to those cinéastes who value these works, since many of these productions will probably not be otherwise accessible and are thereby on their way to being collectible items. Many of these are from prints proffered by private collectors, with Alpha selecting the best available copies, as there is no attempt toward re-mastering, and no DVD extras are provided other than scene selection, and some trailers, although the company's packaging is attractive and its liner notes are, for the most part, useful. This film's principal attraction is Movita Castaneda, talented Mexican coloratura who favourably impressed United States audiences with her efforts in such as FLYING DOWN TO RIO and MUTINY ON THE BOUNTY, later gaining additional renown when she, while pregnant, married (a much younger than her) Marlon Brando. She is quite effective, both musically and dramatically, in this movie, noteworthy because few retakes are to be had under the aegis of lowly-budgeted Monogram Pictures, and while there are several scenes marked by brief skips, the largest portion of the print is free of these flaws and a viewer is rewarded by a briskly paced and interesting tale. Movita is cast as Marquita Romero ("La Marquita"), an aspiring singer in Rio de Janeiro who, directly preceding a stage performance, receives a cablegram providing her with an unpleasant surprise: her brother Carlos is under arrest for murder in New York City. Marquita immediately flies there, leaving behind her swain Steve (Warren Hull), and meeting with Annette (Adele Pearce), the young woman who had sent her the message and who is the new wife of Carlos. Annette explains to Marquita that her husband is victim of a frame-up. Naturally, Steve has followed Marquita to New York where he joins the women, the trio then engaging the services of a prominent criminal attorney, and it soon develops that a night club owner is the probable murderer, not Carlos, in an insurance related case where he may have destroyed his own business through an act of arson. Marquita applies for a job to sing at the club as means of discovering the truth in this matter, and is hired by the suspect, all very melodramatic to be sure, yet the plot just about comes off thanks to some able acting by a competent cast of supporting players. The film is burdened with a somewhat cluttered narrative line but Pearce, in addition to Dennis Moore and Kay Linaker as associates of the tale's villain, bring clarity to those sequences within which they appear. Movita sings three numbers and veteran director Lambert Hillyer, thoroughly accustomed to working with thin budgets, abruptly ends the piece when time and funding run dry. It must be noted that the language of Brazil and Brazilians is Portuguese rather than Spanish as is used here but, nonetheless, there is a good deal of enjoyment to be found in this admittedly routine production.

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