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The Girl from Mexico (1939)

Passed  -  Comedy | Music | Romance  -  2 June 1939 (USA)
6.5
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Ratings: 6.5/10 from 122 users  
Reviews: 3 user | 1 critic

In the first entry of an unintended-series that turned into a long-running series for RKO, Carmelita Fuentes is a fiery-Latin singer/dancer in Mexico City who has designs on Dennis Lindsay,... See full summary »

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(story), (screenplay), 1 more credit »
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Title: The Girl from Mexico (1939)

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Cast

Complete credited cast:
...
Donald Woods ...
Leon Errol ...
Linda Hayes ...
Donald MacBride ...
L. B. Renner
Edward Raquello ...
Tony Romano (as Eduardo Raquello)
Elisabeth Risdon ...
...
Mexican Pete - the Wrestler
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Storyline

In the first entry of an unintended-series that turned into a long-running series for RKO, Carmelita Fuentes is a fiery-Latin singer/dancer in Mexico City who has designs on Dennis Lindsay, an American publicity agent, for unclear reasons, while Lindsay's shiftless uncle, Matthew Lindsay, aids and abets her every step of the way to the marriage altar. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

HERE COME THE FIREWORKS! (original poster) See more »

Genres:

Comedy | Music | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

2 June 1939 (USA)  »

Also Known As:

De Cabelinho nas Ventas  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

RKO wasn't planning a series while this film was being made, but the series developed after it was such a big hit. See more »

Quotes

Uncle Matthew 'Matt' Lindsay: Marriage is like a mousetrap - easy to get in but hard to get out. And the husband is the piece of cheese.
See more »

Connections

Followed by Mexican Spitfire's Elephant (1942) See more »

Soundtracks

Negra Consentida (Black Allowed)
Written by Joaquín Pardavé
Played during the opening credits
Sung and danced to by Lupe Velez at the San Proximo hotel
See more »

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User Reviews

 
A raucous, fast-moving comic farce.
30 November 2001 | by (New York City) – See all my reviews

This is a film which shows that good things come in small packages. A rather short "B" comedy from RKO released in the greatest year that Hollywood had ever seen, "The Girl From Mexico" was the first of 8 films surrounding the hot-tempered yet loving character played by Lupe Velez. Velez had been around Hollywood for over a decade, and was in a career slump when she made this film. It rejuvenated her career, and for the next five years, she made over half a dozen films surrounding Carmelita, the "Girl From Mexico", later known as the "Mexican Spitfire". It was a title that Velez had been given in the early 30's, and now RKO hoped to take advantage of that to give her some much-needed box-office. "The Girl From Mexico" is the first and best of these films, although it was apparent that this was not meant originally to be a series. Well-crafted and fast-moving, the film takes advantage of the chemistry between rubber legged Leon Errol and hot-tempered Velez, and sends them soaring with loads of gags. Sad to say, Velez had more chemistry with Errol than any of the actors in the series who played her husband, Dennis Lindsey.

The story finds Dennis (Donald Woods in this outing) going to Mexico to find a singer for a radio show, and meets firecracker Carmelita. He brings her back, and almost immediately, chaos ensues. Carmelita and his Uncle Matt (Errol) hit it off, and head out for a night on the town where she gets publicity by getting into a boxing ring in the middle of the fight. Dennis is not too pleased by the publicity, and Uncle Matt's shrew of a wife, Aunt Della (Elisabeth Risdon) and fioncee (Linda Hayes) have good reason to be suspicious of Dennis's interest in Carmelita. I need say no more of the ensuing events that bring Carmelita and Dennis together by the end, but there are loads and loads of gags, funny lines, and just pure outrageousness. One of the funniest moments comes when Carmelita and Uncle Matt first meet, and begin to sing at the piano; The scene is classic comedy at its finest.

As the series continued, the plots got more contrived, dealing with Uncle Matt's constant pretending to be Dennis's boss, Lord Epping. However, for the first few films, the fast-pacing and chemistry between Errol and Velez made the "Mexican Spitfire" series a fun-filled hour or so of pure laughter.


16 of 17 people found this review helpful.  Was this review helpful to you?

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