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Gaslight (1940)

7.4
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Ratings: 7.4/10 from 2,184 users  
Reviews: 54 user | 20 critic

Twenty years after the murder of Alice Barlow, her house is finally occupied again. However, the husband of the couple who have moved in has a secret which he will do anything to keep hidden.

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(play), (screenplay), 1 more credit »
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Cast

Complete credited cast:
Anton Walbrook ...
Diana Wynyard ...
Frank Pettingell ...
Cathleen Cordell ...
...
Vincent Ullswater
Minnie Rayner ...
Elizabeth, the Cook
Jimmy Hanley ...
Cobb
Marie Wright ...
Alice Barlow
Aubrey Dexter ...
House Agent
Mary Hinton ...
Lady Winterbourne
Angus Morrison ...
Pianist
Jack Barty ...
Chairman of Music Hall
The Darmora Ballet ...
Dancers
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Storyline

Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen mysteriously leave every night just to go into the apartment next door, no. 14? Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Love and Fear Filled the House on Angel Street! See more »

Genres:

Mystery | Thriller

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

10 November 1952 (USA)  »

Also Known As:

Angel Street  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

It opened in New York with the title changed to "Angel Street" on 5 December 1941, starring Vincent Price (his first role as a villain) and Judith Evelyn. Leo G. Carroll costarred as Rough. It became the longest-running melodrama in Broadway history, playing for 1,293 performances. See more »

Goofs

When the police enter the room with the dead body, they move an object before touching the body. The object had not been there previously. See more »

Quotes

Bella Mallen: The rubies. For one woman you killed her to get them, and for me you tried to kill my mind, tried to drive me insane.
See more »

Connections

Version of Luce a gas (1966) See more »

Soundtracks

The Boy I Love Is Up in the Gallery
(uncredited)
Written by George Ware
Played at the music hall and sung by an unidentified woman
See more »

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User Reviews

Streamlined & Suspenseful
20 August 2004 | by (United States) – See all my reviews

Let's face it - the British do psychological suspense VERY well! This 1940 British production is more streamlined and suspenseful than the MGM version of 1944, as it sticks more closely to Patrick Hamilton's play. The MGM version had more 'back-story' and padding to it. I love Diana Wynyard - she was lovely to look at and seemed wonderfully edgy and vulnerable - I wasn't surprised to learn that she played the anguished mother in the West End production of THE BAD SEED - she's really only remembered today for this film and CAVALCADE (1933), but she's definitely worth watching. Anton Walbrook is a little hammier than Boyer was, and there are those obvious streaks in his hair to make him look a little older - but he has a wonderful moment at the films end when, quite suddenly, his eyes go wild and you can tell that he's completely lost his mind - might have been a nice touch if the 1944 had included such a moment. Highly recommended.

I've noticed that people seem surprised that MGM attempted to suppress the 1940 British version of GASLIGHT to avoid any competition with their version. I don't know why anyone should be surprised - Hollywood's business is a cut-throat one: remember that L.B. Mayer, along with Jack Warner and others, offered to buy CITIZEN KANE from RKO and then destroy it, all to appease William R. Hearst - fortunately they didn't (just imagine the history of film since 1941 if they had!) And although MGM didn't destroy all prints of GASLIGHT, they did manage to keep it out of sight for many years - I think I first saw it on a cable station in the early 1980s - I tuned in expecting Boyer and Bergman and got Walbrook and Wynyard - as it turned out I didn't mind at all, and have enjoyed it many times since! MGM did the same thing with Paramount's 1932 DR. JEKYLL AND MR. HYDE which, except for an occasional screening, went unseen (but much written about) until it came out on video around 1990 (under the MGM label - imagine that!)


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