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Full Confession (1939)

Approved  |   |  Crime, Drama  |  8 September 1939 (USA)
6.0
Your rating:
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Ratings: 6.0/10 from 91 users  
Reviews: 2 user | 1 critic

A Catholic priest by the name of Father Loma must convince a man to step forward to save an innocent man from being sent to the electric chair.

Director:

Writers:

(story) (as Leo Birinski) , (screenplay) (as Jerry Cady)
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Title: Full Confession (1939)

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Cast

Complete credited cast:
...
...
Molly Sullivan
...
Father Loma
...
Michael O'Keefe
Elisabeth Risdon ...
Norah O'Keefe
Pamela Blake ...
Laura Mahoney (as Adele Pearce)
Malcolm 'Bud' McTaggart ...
Frank O'Keefe
John Bleifer ...
Weaver
William Haade ...
Moore
George Humbert ...
Mercantonio
Edit

Storyline

Pat Sullivan has committed a murder and told his priest, Father Loma, about it watches in agony when an innocent man, Michal O'Keefe, is accused of the crime and sentenced to the electric chair on circumstantial evidence. The priest, bound by inviolable sanctity of the confessional, also struggles with the issue of how to save O'Keefe, and keep his religious vows. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

You killed a man... how can you find happiness with Molly? See more »

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

8 September 1939 (USA)  »

Also Known As:

A Última Confissão  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »

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User Reviews

 
Looks Beautiful, like the Best Noir, But Is A Tad Too Preachy
6 November 2003 | by (NY, NY) – See all my reviews

This is a little early to be a noir but it has a beautiful Expressionistic look. It is shot in chiaroscuro much of the time.

Here, everyone is Irish. Barry Fitzgerald, the falsely accused, and Victor McLaglen, the real murderer.

There is an uneasy pious quality to the goings on, with a Roman Catholic priest as the central, and almost Christlike, figure.

When McLaglen finally confesses, he does so to the background of a heavenly choir.


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