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IMDb > Frontier Marshal (1939)

Frontier Marshal (1939) More at IMDbPro »


Overview

User Rating:
6.9/10   91 votes
MOVIEmeter: ?
Up 6% in popularity this week. See why on IMDbPro.
Director:
Writers:
Stuart N. Lake (book)
Sam Hellman (screenplay)
Contact:
View company contact information for Frontier Marshal on IMDbPro.
Release Date:
28 July 1939 (USA) more
Plot:
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K... more | add synopsis
User Reviews:
Genesis of My Darling Clementine more (7 total)

Cast

  (Cast overview, first billed only)

Randolph Scott ... Wyatt Earp
Nancy Kelly ... Sarah Allen

Cesar Romero ... John 'Doc' Halliday
Binnie Barnes ... Jerry
John Carradine ... Ben Carter
Edward Norris ... Dan Blackmore
Eddie Foy Jr. ... Eddie Foy
Ward Bond ... Town Marshal

Lon Chaney Jr. ... Pringle
Chris-Pin Martin ... Pete
Joe Sawyer ... Curley Bill
Dell Henderson ... Dave Hall (as Del Henderson)
Harry Hayden ... Mayor John Henderson
Ventura Ybarra ... Pablo
Charles Stevens ... Indian Charlie
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Additional Details

Runtime:
71 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA High Fidelity Recording)
Certification:
USA:Approved (PCA #5487) | USA:TV-PG (TV rating)

Fun Stuff

Trivia:
Charles Stevens, who plays a drunken Indian, repeats the role in director John Ford's remake, My Darling Clementine (1946). Stevens, who is half Mexican and half Apache, is the grandson of legendary Apache warrior Geronimo. more
Goofs:
Anachronisms: The film is set in the period from 1877 to 1880, but three of the songs sung were published in the late 1880s. more
Movie Connections:
Version of Powder River (1953) more
Soundtrack:
She'll Be Comin' 'Round the Mountain When She Comes more

FAQ

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9 out of 9 people found the following review useful.
Genesis of My Darling Clementine, 25 March 2004
Author: rsyung from United States

What's most interesting about Frontier Marshal is the fact that it is clearly the genesis of My Darling Clementine, directed by John Ford seven years later. It is hard to view this movie without automatically thinking of the parallel scenes in MDC, and Ford's film draws heavily on the inter-relationships of Doc Holliday, Wyatt Earp, Sarah(Clementine in Ford's film) and the saloon girl, Jerry(Chihuahua). Other scenes are reworked into Ford's film as well…the disarming of the drunken Indian, dunking of the saloon girl into the trough, Doc Holliday attempting to redeem himself by performing surgery on a gunshot victim(in this case, the son of the Mexican bartender(in Ford's film, it was Chihuahua, Doc's `girl'), and a wandering theatric (a comic here, a Shakespearian thespian in MDC). This film is much slighter, with fewer themes and subtexts than Ford's and concentrates mostly on the relationship between Earp and Holliday and Holliday's redemption at the end. It plays out like a programmer, running a mere 71 minutes, so granted there isn't much time to devote to anything else. The themes of chaos versus order, civilization versus wilderness are only hinted at, and Randolph Scott is adequate as Wyatt Earp but without the underlying vulnerability(and humor) of Fonda's performance. The same might be said of Cesar Romero as Doc Holliday (for some reason changed to Halliday). He doesn't have the depth of Victor Mature's tortured Doc, in what was perhaps his best performance in any film, but the same self-destructive streak is evident as he attempts to drink himself to death, only to be stopped by Earp. Clearly, MDC was the more thought provoking of the two, but it cannot be denied that without Frontier Marshal, there would have been no MDC, or at least the one I consider a true western classic. What a quirk of fate that Ward Bond is in both films--the ineffective town marshal here, and later promoted to the role of Morgan Earp in Ford's version.

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