Three of the four musically inclined daughters of Adam Lemp, the Dean of the Briarwood Music Foundation, are settling into their lives as wives, but not all is well. Thea Lemp has long ... See full summary »
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
Conceited singer Garry Mitchell refuses to renew his radio contract, so agent Doug Blake decides to find a new personality to replace Garry. In New York, he finds Martha Gibson, a single ... See full summary »
In the 1920s, enterprising Louise Randall is determined to succeed in a man's world. She enrolls at business college but her plans for a career change when she falls in love with handsome ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading ... See full summary »
Three of the four musically inclined daughters of Adam Lemp, the Dean of the Briarwood Music Foundation, are settling into their lives as wives, but not all is well. Thea Lemp has long since married wealthy banker, Ben Crowley. Thea makes a unilateral decision which may disrupt their marriage. Emma Lemp married their neighbor, florist Ernest Talbot, after realizing that she truly did love him and not their border, composer/conductor Felix Deitz, after Ernest's actions at what was supposed to be Felix and Emma's youngest sister Ann Lemp's wedding. Emma receives some sad news which too may place a pall over her and Ernest's marriage. And Ann, after the suicide death of her husband Mickey Borden who she married as his possible salvation, and Felix are once again engaged, he who she always truly loved. But the memory of Mickey, who was an acquaintance of Felix's, may be a major roadblock on the road to happiness for Ann and Felix, especially as Mickey leaves something a little unexpected ... Written by
Shown at some engagements with Warner Bros.' new Vitasound audio process. Often incorrectly called a stereophonic process, Vitasound actually combined a standard, variable width monophonic soundtrack with a second, variable width control track, located between the soundtrack and the sprocket holes, that increased loudness for certain scenes by switching on additional amplifiers and speakers. See more »
Anne is already pregnant at Christmas time. The baby comes well after Father's Day (June), probably July or even later and there is no attempt to make her look pregnant - not even maternity-type clothes. She continues wearing skirts and tucked-in blouses, remaining thin through the entire picture. She's even wheeled into the Delivery Room with her stomach looking as flat as a board. See more »
Sentimental film well directed by Curtiz and scored by Steiner...
An air of melancholy runs through FOUR WIVES because Priscilla Lane is still haunted by the memory of her dead husband (John Garfield, seen briefly in a cameo role), while engaged to Jeffrey Lynn who doesn't know she's carrying Garfield's child.
But through all the dramatic twists and turns, the family unit remains strong, supportive and determined to move in the direction of a happy ending for all. Frank McHugh is on hand for some levity, Rosemary Lane makes a very beautiful Kay, Claude Rains is the musician father, and Priscilla Lane and Jeffrey Lynn carry the romantic leads in a pleasant enough manner. Lynn even gets to conduct Max Steiner's stirring "Symphonie Moderne" which wraps up the story with musical finesse.
I actually found Rosemary Lane to be the most natural beauty of the Lane sisters and her acting here is more than competent. But the Warners evidently groomed Priscilla Lane for stardom instead. She gets all the best close-ups, including her hospital scene listening to the radio concert with tearful pride.
It's enjoyable enough without being really special. Julius J. Epstein has written a graceful script and the Steiner score is a gem. Director Michael Curtiz keeps the camera flowing smoothly through many a detailed scene.
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