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Edward H. Griffith
This film's initial telecast took place in Los Angeles took place Tuesday 16 July 1957 on KTTV (Channel 11); it first aired in Altoona PA 2 September 1957 on WFBG (Channel 10), in Chicago 9 September 1957 on WBBM (Channel 2), in Philadelphia 3 November 1957 on WFIL (Channel 6), in Seattle 5 November 1957 on KING (Channel 5), in Norfolk VA 2 December 1957 on WTAR (Channel 3), in Honolulu 6 January 1958 on KHVH (Channel 13), and in San Francisco 21 January 1958 on KGO (Channel 7); the Four GIrls, still in White, finally made it to New York City 26 September 1962 on WCBS (Channel 2). See more »
It's amazing that even when MGM made programmers they never spared the Metro gloss for photography, sets, etc., even when there were no stars on the bill but up and coming young players. For this one, it looks as though MGM used their Blair Hospital sets from Dr. Kildare.
ANN RUTHERFORD and top-billed FLORENCE RICE are sisters who go through an extensive nursing program where the staff includes smartly dressed male interns like PHILIP TERRY and TOM NEAL with ALAN MARSHALL as a surgeon. And for comic relief there's BUDDY EBSEN, JESSIE RALPH and UNA MERKEL.
The story charts an amusing course for four girls in white as they become nurses after some rigorous training. Sparks between Rice and Marshall are evident from their first meeting and we know a romance is in the works. Rice is spunkier than usual for someone usually cast in demure roles and Marshall makes an attractive leading man--you have to wonder why MGM never groomed him for big time stardom. As for Rice, she looks like a young Madeleine Carroll in her close-ups.
It's a lighter look at nurses on and off duty with occasional romantic interludes. Rice's romance with spoiled rich man KENT TAYLOR takes place aboard his fancy yacht. The plot at this point turns to romantic rivalry between sisters over a man and continues to accent trivial fluff despite a dramatic incident at the hospital involving a violent patient.
You can almost predict a happy ending in sight, but not before a very dramatic train wreck amid a bridge collapse complete with floods that engulf the interior of a train. For this sequence alone, with Rice redeeming herself in Marshall's eyes after a stormy argument, the film emerges as a better than average programmer after a heavy dose of syrupy material.
Summing up: Trivial B-film fluff given the glossy treatment by MGM. All the pretty nurses look as though they just came from the MGM beauty parlor but the final emergency call involving the bridge collapse is handled with gripping realism.
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