Resigning his commission on the eve of his unit's deployment against Egyptian rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades - disguised as ...
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Resigning his commission on the eve of his unit's deployment against Egyptian rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades - disguised as an Arab. When his unit is overwhelmed and captured by the rebels, the hero finds an opportunity to return the 'feathers' of cowardice sent to him by his former comrades by freeing them. Written by
According to a news item in Variety in June 1938, Alec Waugh went to Sudan to do research prior to the film's location work there. Waugh, who worked as a set decorator on other Alexander Korda productions, may also have worked in that capacity for this film. See more »
Ethne's hair changes after her father leaves the room and Harry has received the feathers in the mail. See more »
Why worry? Be a coward and be happy.
I AM a coward, Doctor. If I'd been anything but a soldier I might have lived my whole life and concealed it. But to be a soldier AND a coward is to be an impostor, a menace to the men whose lives are in your hands.
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Opening credits prologue: In 1885 the rebellious army of cruel dervishes enslaved and killed many thousands of defenseless natives in the Sudan, then laid siege to Khartoum. The scanty garrison's heroic commander, General Gordon appealed for help from England - but no help reached him. See more »
A young English army officer resigns his commission just as war in Africa breaks out. His 3 best friends, officers all, and his fiancée each give him a white feather - the sign of the coward. Shunned & ostracized, he undertakes a mission to clear his honour & prove his courage.
This is a wonderful British adventure film, equally on a par with anything Hollywood was to produce in that golden year of 1939. Shot in color, with spare-no-expense filming in the Sudan, THE FOUR FEATHERS is a paean to the glory days of Victoria's Empire & the men who fought to build it.
Sir John Clements is excellent as the young hero. Although virtually unknown to American audiences his entire career, Sir John was a very fine actor with a warmly distinctive voice which he uses here to advantage. Sir Ralph Richardson appears, terrific as always, as one of the friends; so does John Laurie, very good as the troublesome Khalifa. Sir C. Aubrey Smith, magnificent as a curmudgeonly old general, provides the final hurdle Sir John must jump to regain his reputation.
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