Anita, engaged to solid Don Barnes, is swept off her feet by magician Arturo. Before you can say presto, she's his wife and stage assistant on a world tour that seems never to end. Anita is mildly annoyed by Arturo's constant flirtations, but his death-defying stunts give her nightmares. As for her plan to retire in a farmhouse, forget it. Finally, she's had enough and disappears for real... Written by
Rod Crawford <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
This is a nice classic comedy about the romance between a bishop´s granddaughter and a successful magician. Although it isn´t a typical screwball comedy it has the usual charm of the 30´s. One of the things I most like in the film is the naturality of the characters and the relationships between them, without any superfual mildness. It´s also a film about marriage and divorce in a way that I find outstanding for that time and it´s full of funny and emotive situations in the way of films like Ernst Lubitsch Bluebeard´s Eighth Wife. In a funny way, i just want to comment one detail that makes me laugh but I don't know if that was the original intention. It is near to the end, when the magician is going to make one his most dangerous tricks and his assistant wants to stop him because is going to kill himself. The magician calls the police to take the assistant away from him and says: "arrest him, he is a communist!". And it wasn´t witch-hunt time yet!!
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