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Only One Night (1939)
"En enda natt" (original title)

6.2
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Ratings: 6.2/10 from 111 users  
Reviews: 2 user | 1 critic

Funfair worker Valdemar is unknowingly the illegitimate son of a rich landowner, colonel Von Brede. The colonel knows and employs Valdemar as his stable master. The colonel has a young and ... See full summary »

Director:

Writers:

(novel), (scenario), 1 more credit »
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Title: Only One Night (1939)

Only One Night (1939) on IMDb 6.2/10

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Cast

Complete credited cast:
...
Eva Beckman
Edvin Adolphson ...
Valdemar Moreaux
Aino Taube ...
Helga Mårtensson
Olof Sandborg ...
Magnus von Brede
Erik 'Bullen' Berglund ...
Hagberg (as Bullen Berglund)
Marianne Löfgren ...
Rosa
Magnus Kesster ...
Olsson
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Storyline

Funfair worker Valdemar is unknowingly the illegitimate son of a rich landowner, colonel Von Brede. The colonel knows and employs Valdemar as his stable master. The colonel has a young and beautiful ward, Eva, but will she and Valdemar fall in love with each other? Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

20 February 1939 (Sweden)  »

Also Known As:

Only One Night  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

(Peterson Poulsen/AGA Baltic)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Ingrid Bergman only agreed to do the film under the condition that Svensk Filmindustri let her play Anna Holm, the girl with the damaged face in A Woman's Face (1938). See more »

Connections

Featured in Stjärnbilder (1995) See more »

Soundtracks

Polonaise in A flat, Op.53 ('Heroic')
(1842)
Music by Frédéric Chopin
Played on piano and hummed by Ingrid Bergman
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User Reviews

 
Nice but without surprises
21 April 1999 | by (Stockholm, Sweden) – See all my reviews

Ingrid Bergman is definitely the best actress in this traditional story about the meeting of the working class and the upper class. Gustaf Molander was always good at making upper-class dramas that never made anybody angry.


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