6.8/10
384
14 user 4 critic

Dust Be My Destiny (1939)

Approved | | Crime, Drama, Film-Noir | 16 September 1939 (USA)
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading ... See full summary »

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
...
Mabel Alden
...
Mike Leonard
...
Caruthers
Billy Halop ...
Hank Glenn
Bobby Jordan ...
Jimmy Glenn
...
Pop
Henry Armetta ...
Nick
Stanley Ridges ...
Charlie Garrett
...
Prosecutor
Moroni Olsen ...
Slim Jones - Defense Attorney
Victor Kilian ...
Doc Saunders
Frank Jaquet ...
Abe Connors
Ferike Boros ...
Delicatessen Proprietress
...
Venetti
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Storyline

Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading to the older man's death due to a weak heart. Joe and Mabel go on the run as he thinks no-one would believe a nobody like him. Written by Ian Harries <ih@doc.ic.ac.uk>

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Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

16 September 1939 (USA)  »

Also Known As:

Cruel é o Meu Destino  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 14, 1941 with John Garfield reprising his film role. See more »

Connections

Featured in Red Hollywood (1996) See more »

Soundtracks

Dust Be My Destiny
(uncredited)
Music by Max Steiner and M.K. Jerome
Lyrics by Jack Scholl
Played on the radio in the hotel room
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User Reviews

 
Second-Rate Garfield Flick
19 October 2012 | by (Claremont,USA) – See all my reviews

The first 15-minutes is good gritty Depression era drama, as Joe (Garfield) and other footloose unemployed try to hitch a train ride to nowhere. Caught by county cops, they're sent to a harsh work camp where there's at least work, a bed, and something to eat, but nothing else. Garfield and company make this segment tough and realistic, a real taste of life at Depression's bottom.

But then the romantic side takes over as Joe and Mabel (Lane) get into an off-and-on again relationship, complicated by Joe's accidental killing of Mabel's cruel stepfather. Thus the storyline swings over to the familiar young-lovers-on-the-run narrative. That might be okay, except Lane plays her part like she's swallowed a load of sweet-faced sugar, while making soft and nice is not Garfield's special appeal. There's also a ton of likable common folk that demonstrate America's fundamental decency; while, writer Rossen makes a timely populist appeal in the courtroom for the value of every person. Given the nastiness of the times, the idea, at least, was a good one.

I just wish Warner's had assigned one of their top directors to the project. A Walsh or Curtiz might have blended the disparate elements more effectively than the workman-like Seiler. As things stand, it's a second-rate Garfield flick.


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