Brant frames Destry and has men testify against him. Found guilty he vows to return. Back from prison he goes after the man that framed him. When the Sheriff is shot before he can talk, ... See full summary »
Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor, who is in cahoots with Kent appoints the town drunk, Washington Dimsdale, as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman, Tom Destry, and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Featuring a career reviving performance from Marlene Dietrich as bar singer Frenchie, which could well have been the inspiration for Madeline Kahn's "Blazing Saddles" character, Lili Von Schtupp. Written by
Mark Thompson <firstname.lastname@example.org>
This film was selected to the National Film Registry, Library of Congress, in 1996 See more »
When Destry first demonstrates his ability with a firearm by shooting at the knobs on the sign, he shoots a total of seven times. Although he is holding two Colt "Six-shooters", one in each hand, he fires only the pistol he holds in his right hand. Thus, he fired one round more than the gun could hold. See more »
Quite simply one of the best Hollywood Studio movies ever made. A pure delight from start to finish with every H'wd cliche lovingly brought indelibly to life and light. Stewart is superb, the cast of character actors delightful - especially Billy Gilbert, Charles Winninger, Samuel Hinds, and Mischa Auer. And the deliciously wicked Dietrich as Frenchy - is as good as it gets in Hollywood. Strong story points, snappy dialogue, good production, genuinely touching moments, great songs, the best fight scene in pictures (between the dames), and an endearing concept of brains (or brave intentions) over brawn. But the palm d'or goes to the fast paced direction of George Marshall for making a film which never fails its clear-eyed material.
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