An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Tyrone Power is a pilots' pilot, but he doesn't believe in anything beyond his own abilities. He gets into trouble by flying a new fighter directly to Canada instead of to New York and ... See full summary »
When Jane Norton inadvertently discovers that Ken, her husband of two years, is dallying with his beautiful secretary, she decides to turn the tables by applying for a job as secretary to philandering architect Barney Dexter, an associate of her husband. Despite cynical advice from her friend Blanche, a three-time divorcée, Jane stays one step ahead of the amorous Dexter and uses Ken's jealousy to get him to renounce his extra-marital indiscretions. Written by
Gabe Taverney (firstname.lastname@example.org)
"Belle de jour," 25 years earlier and under the Code
A light-as-air confection, with very dark overtones. The very young, fresh-faced Linda Darnell is stood up on their second anniversary by husband Tyrone Power. The always delightful Binnie Barnes, her poisonous often-divorced friend Blanche says he's fooling around. Darnell refuses to believe it.
But believe it she must as evidence piles up. So, under the guide of shopping all day, she takes a job as a secretary. Her goal: finding out what about their secretaries appeals to men. (It must be noted that a husband willing to accept five-day-a-week, all-day shopping expeditions goes against many conventions.) Ushered in by goofy but knowing receptionist Joan David -- THE Joan Davis, that divine comedienne here in an early, rather small role -- she interviews for a job. Her boss is Warren William, at his slimiest. He comes on to her like nobody's business, his own wife notwithstanding.
Darnell is determined to keep working rather than depend on Power's money and to pursue her plan: What makes these guys fall for these girls? William and Power are business associates and they all, secretaries and his wife included, end up at a nightclub. She is very firm with Power but in the end makes up with him.
It's an early feminist movie. And in its own gentle way it's a subversive one, too. Unlike Catherine Deneuve in "Belle de jour," she does not become a call girl. But she scandalizes her chauvinistic, narrow-minded husband by becoming a working woman -- and a very smart one at that.
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