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Dark Victory (1939)

 -  Drama | Romance  -  22 April 1939 (USA)
7.6
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Ratings: 7.6/10 from 6,362 users  
Reviews: 71 user | 39 critic

A young socialite is diagnosed with an inoperable brain tumour, and must decide whether she'll meet her final days with dignity.

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(screen play), (from the play by), 1 more credit »
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Title: Dark Victory (1939)

Dark Victory (1939) on IMDb 7.6/10

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Nominated for 3 Oscars. Another 1 win. See more awards »

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Cast

Complete credited cast:
...
George Brent ...
...
...
Ann King
...
Alec
...
Dr. Parsons
Cora Witherspoon ...
Carrie
Dorothy Peterson ...
Miss Wainwright
Virginia Brissac ...
Martha
Charles Richman ...
Colonel Mantle
Herbert Rawlinson ...
Dr. Carter
Leonard Mudie ...
Dr. Driscoll
Fay Helm ...
Miss Dodd
Lottie Williams ...
Lucy
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Storyline

Judith Traherne is at the height of young society when Dr. Frederick Steele diagnoses a brain tumor. After surgery she falls in love with Steele. The doctor tells her secretary that the tumor will come back and eventually kill her. Learning this, Judith becomes manic and depressive. Her horse trainer Michael, who loves her, tells her to get as much out of life as she can. She marries Steele who intends to find a cure for her illness. As he goes off to a conference in New York failing eyesight indicates to Judith that she is dying. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

"I've Crammed EVERY MINUTE SO FULL of waste. And now there's so little time. I don't know what to do. I'm afraid!"

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 April 1939 (USA)  »

Also Known As:

Amarga victoria  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Gossip columnist Hedda Hopper was notorious for not verifying her sources. She reported that director Edmund Goulding had engaged Sigmund Freud as technical adviser for "Dark Victory." If she had checked on her scoop, she would have found out that the world's most famous psychiatrists had been dead for several months. See more »

Goofs

When George Brent and Henry Travers are discussing Judith's prognosis based on her "pathological reports"; Henry Travers describes the blindness she will suffer just before death as amblyopia. Amblyopia is the loss or lack of development of central vision in one eye that is unrelated to any eye health problem and is not correctable with glasses. It usually develops before the age of six and is not related to cancer. It is sometimes thought to be "lazy eye" but that is actually more correctly called strabismus. See more »

Quotes

[first lines]
Michael O'Leary: [on the phone] Hello, there. Is this the house? I've been trying to get you.
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

OH, GIVE ME TIME FOR TENDERNESS
(1939) (uncredited)
Music by Edmund Goulding
Lyrics by Elsie Janis
Sung by Vera Van
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The ultimate tear-jerker!
3 May 2001 | by (Canberra, Australia) – See all my reviews

Not only is this sublime classic the greatest tear-jerker of all time (well, let's call it a tie with "Lassie Come Home"), it also contains one of the greatest performances ever given by Bette Davis. In the hands of a lesser actress this movie could have been a soppy pot-boiler. In the hands of Ms Davis it is close to being a masterpiece. If most of the supporting players can't match her it's no wonder - Bette is truly inspired here! The normally fine Geraldine Fitzgerald seems rather self-conscious in a difficult role (and an early one for her), and George Brent can't handle the really emotional stuff. But Bogart is stunning in that sexually charged scene with Bette in the stables. Ronnie doesn't have much to do, but Virginia Brissac is memorable as Martha and Henry Travers terrific as the old doctor.

Above all this is the excellent direction of Edmund Goulding, the fine cinematography of Ernest Haller and the great music of Max Steiner. Sure, dying in real life is never this beautiful, but don't we all wish we could go out with the style that Bette Davis does? Be warned: the last 15 minutes of this film are almost torturously moving - but then ALL of "Lassie Come Home" is. And don't we just love a good cry!


28 of 42 people found this review helpful.  Was this review helpful to you?

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