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Cheer Boys Cheer (1939)

 |  Comedy  |  27 November 1939 (UK)
6.3
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Ratings: 6.3/10 from 38 users  
Reviews: 4 user | 1 critic

Shades of "Romeo and Juliet" with rival British Brewery owners who hate each other and their children who fall in love.

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(story), (story), 2 more credits »
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Cast

Complete credited cast:
Nova Pilbeam ...
...
Edward Ironside
Jimmy O'Dea ...
Matt Boyle
Moore Marriott ...
Geordie
Graham Moffatt ...
Albert Baldwin
C.V. France ...
Tom Greenleaf
Peter Coke ...
John Ironside
...
Saunders
Ivor Barnard ...
Naseby
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Storyline

Set in the world of brewing, a classic tale (an Ealing speciality) of the small, friendly, family run company being threatened with closure by the nasty, modern, large organisation. Bringing in familiar farce elements such as mistaken identity, slapstick and even pie fights, the tale is resolved through the love felt by the children of the opposing brewery owners. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Plot Keywords:

ealing | See All (1) »

Genres:

Comedy

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Details

Country:

Language:

Release Date:

27 November 1939 (UK)  »

Also Known As:

Een vrouw doet zaken  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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User Reviews

The Community of Eccentrics
1 March 2006 | by (New York City) – See all my reviews

A sharply turned romantic comedy as Peter Coke attempts to sabotage an old-fashioned brewery and woo Nova Pilbeam at the same time.

Part of the charm of this movie for me is that I see here one of the forebears of the Ealing comedies of the 1950s -- Ronald Neame worked on this, as well as S.C. Balcon, one of the producers of the prototype of the Ealing community of eccentrics, WENT THE DAY WELL? But is an actually an Ealing comedy?

Well, yes, it's from Ealing, and it's a comedy. But there is more to being an Ealing Comedy than being a comedy and being from Ealing Studios. Will Hays' last few movies were not Ealing comedies, even if they were produced by Ealing.

So what makes an Ealing Comedy? Many things, but I will focus on one or two points. In many ways, the Ealing comedies were intensely nostalgic for an England that existed only in the artists' minds, from the boys'-series-mad gangs of HUE AND CRY to the sentimental murderers of THE LADY KILLERS to Guinness' betrayed but still still unbowed scientist of THE MAN IN THE WHITE SUIT. The eccentrics find their support in the other eccentrics, here in the workers of the brewery, who include Will Hays' supporting comics.

Undoubtedly I am reading too much into this: blame, if you will, a taste for academic analysis. But this is a fine romantic comedy and if you have a chance to see it, don't miss it.


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