Ernie Matthews, who operates the prison electric chair, is having a crisis of conscience about his role as state executioner. His unrequited love for Joan Wright, another prison employee, adds to his depression. She in turn loves Johnny Martin, the warden's chauffeur and a trustee eligible shortly for parole. When the despondent Matthews goes to a local road house after an execution to get drunk, he's taunted by a sadistic reporter, and a brawl results. Because Johnny came to Matthews' aid in the fight, the parole board, pressured by the press, turns down his expected release, and Johnny reacts bitterly, forcing the warden to rescind his privileges. When Johnny's mentally challenged cell mate Big Billy strangles a sadistic warder, it is only Johnny's intervention that keeps a second guard from being killed. Another vindictive convict, Gus Barth, the only living witness to Johnny's heroism, spitefully hides the truth, hoping that Johnny goes to the electric chair. Written by
Gabe Taverney (firstname.lastname@example.org)
Love finds its way... behind the gates of prison!
Did You Know?
The earliest documented telecast of this film in the New York City area was Wednesday 13 December 1950 on WABD (Channel 5). See more
Actor/stuntman Dave O'Brien plays the part of a reporter without his signature hairpiece, but he is wearing it when he doubles Robert Wilcox in the bar brawl scene. Even with his hairpiece on, it is obviously O'Brien. See more
Well, your philosophy's slightly cock-eyed, Johnny, but I like the way you carry your chin.
[She pantomines a punch at his chin
Oh, yeah, I get it. You mean I'm always leading with it, Joanie. I'm sorry, I meant Miss Joan. Always talkin' out of turn - that's me sure!
Referenced in The Man Who Came to Dinner