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Following a prison break, Hal Wilson, a ruthless killer takes refuge in the home of a psychiatrist, Dr. Shelby. While Wilson is attempting to make a safe getaway, Dr. Shelby is busily trying to analyze his captor and find out just what, in his dark past, made him the man he now has become. Written by
Les Adams <firstname.lastname@example.org>
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This is a film that you just have to watch without thinking too much--particularly if you realizes how silly the film is from a psychological point of view. Chester Morris and his gang take a group of people hostage while hiding out from the police. With very little provocation, Morris kills one of the hostages and in response, the psychiatrist (Ralph Bellamy) decides to mess with Morris' mind in order to drive him over the edge. Much of the movie is spent watching Bellamy slowly gain Morris' trust and later they begin exploring the meaning and significance of Morris' recurring dream. This is amazingly silly, not only because the cops might burst into the home at any minute but because in only a short time they are able explore and work out ALL of Morris' problems!! Also, while the style of therapy and theory behind it seemed pretty sound for the 1930s, today a lot of this just seemed like very silly mumbo-jumbo. Still, if you can ignore the silliness of all this and Morris' over-acting, then it is an entertaining little film.
By the way, for a much better film without the mumbo-jumbo, try watching THE DESPERATE HOURS. This film is also about a vicious gang taking a family hostage but is far more realistic and compelling.
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