Donald Duck is at the beach and tries to ride a rubber horse. He notices Pluto sleeping at the shore and decides to have some fun with him by sending the rubber horse over to Pluto which ... See full summary »

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Family | Animation | Short
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Cast

Uncredited cast:
Lee Millar ...
Pluto (voice) (uncredited)
Clarence Nash ...
Donald Duck (voice) (uncredited)
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Storyline

Donald Duck is at the beach and tries to ride a rubber horse. He notices Pluto sleeping at the shore and decides to have some fun with him by sending the rubber horse over to Pluto which completely mesmerizes him. Meanwhile, a tribe of ants abduct Donald's picnic lunch. Donald lays out fly paper to stop the ants. Pluto follows one of the ants and, of course, he and later Donald become enmeshed in the fly paper. Written by Matt Yorston <george.y@ns.sympatico.ca>

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Approved | See all certifications »

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Release Date:

9 June 1939 (USA)  »

Also Known As:

Kalle Anka badar  »

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Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Donald Duck: [singing] By the sea, by the sea, by the beautiful sea. You and I, you and I oh how happy we'll be.
Donald Duck: Boy! Now for my swim! Come on super slit, let's go!
[Donald grabs his inflatable horse and throws it in sea]
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Connections

Edited from Playful Pluto (1934) See more »

Soundtracks

By the Beautiful Sea
Performed by Clarence Nash
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User Reviews

 
A Duck Tale With Surf
28 March 2003 | by (Forest Ranch, CA) – See all my reviews

The BEACH PICNIC for Donald & Pluto is frustrated by a rubber sea horse named Sylvester and a marauding tribe of Red Indian ants.

This is a very enjoyable little film which features great animation and lots of laughs. Watching the reactions of the Duck and the Pup as the complications pile up against them provides much of the humor. Clarence Nash once again excels as the voice of Donald.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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