In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially... See full summary »
Eric Wainwright (Van Johnson), a busy impresario, is besieged by hordes of wannabe concert stars, eager for their big break. One of them is Cynthia Potter (June Allyson), a talented pianist... See full summary »
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, ... See full summary »
W.S. Van Dyke
Ronny Bowers, a saxophonist in Benny Goodman's band has won a talent contest an got a ten week contract with a film studio. On his first evening he is supposed to go with the studio's star ... See full summary »
A musical comedy duo in their 6th year on Broadway receive an offer to perform in Hollywood making films. The change of lifestyle is inviting to the Sweethearts as the move will take them ... See full summary »
W.S. Van Dyke,
Robert Z. Leonard
A concert violinist becomes charmed with his daughter's talented piano teacher. When he invites her to go on tour with him, they make beautiful music away from the concert hall as well. He ... See full summary »
Prince Peter Karagin, an officer in the Cossack army, sees and hears lovely Lydia Marakova in the cafe Balalaika in St. Petersburg and wants to meet her. When he hears she likes to fraternize with a lower class of people, he gives a student 50 rubles for his clothing. She eventually accepts his persistant presence and they fall in love. Peter uses his influence to get Lydia an audition at the opera house, where she is hired and is scheduled to perform later. The Prince, however, is not aware that she, her father and brother are part of a revolutionary movement. Their mutual deception is quickly shattered when Peter and the Cossacks violently break up a revolutionary rally in the public square, where Lydia's brother is killed. Soon afterwards, she learns that the rebels plan to assassinate Peter and his uncle, General Karagin, at the opera house on opening night, and still in love, she warns Peter not to go to the performance. He cancels the reservations, but General Karagin decides to... Written by
Arthur Hausner <firstname.lastname@example.org>
This film's initial telecast in Los Angeles took place Thursday 21 November 1957 on KTTV (Channel 11), followed by Philadelphia Thursday 13 February 1958 on WFIL (Channel 6); in San Francisco it first aired 8 July 1959 on KGO (Channel 7), and, finally, in New York City, 17 May 1961 on WCBS (Channel 2). See more »
A well-made underrated musical with some good songs and some fine sequences.
I am generally a soft touch for movies that have fictional characters in a well-known historical setting, and this one is no exception. Based on a 1936 underrated musical that opened in London, and set on the eve of both World War I and the Russian revolution, it involves a Russian Prince, Nelson Eddy, and a singer and revolutionary, Ilona Massey, who deceive each other as to who they really are, and fall in love. But even after they discover their true identities, they remain in love until separated by the war and then the revolution.
The sets and costumes are first-rate and director Reinhold Schunzel keeps the film moving at a nice pace and handles the crowd scenes extremely well. Mild comedy is provided by Charlie Ruggles and Frank Morgan. Although I'm not much of a fan of Nelson Eddy - he's somewhat bland in his acting - he does have a good voice, so I did enjoy lots of his singing. The stirring "Ride, Cossack, Ride" while the Cossacks are on horseback riding towards the camera, which keeps moving back to avoid a collision, is beautifully photographed. His rendition of "Silent Night" in German, while in the trenches during WW I, answering the Austrian enemy soldiers singing of that song, was a wonderful tender sequence. Eddy also sings the Toreador song from Bizet's "Carmen" which will surely will be liked by opera fans.
But I loved best the last 15 minutes or so, when the Russian emigrés who have gathered in Paris after the war, meet at the Paris version of the Balalaika Cafe to celebrate the Russian New Year. Instead of the joy you would expect on such an occasion, you see the sadness in everyone's eyes at having had to leave their homeland. Frank Morgan sings about his "Land of Dreams," and it moved me to tears.
13 of 13 people found this review helpful.
Was this review helpful to you?