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Balalaika (1939)
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Overview
User Rating:
Release Date:
29 December 1939 (USA) morePlot:
A Russian prince disguised as a worker and a cafe singer secretly involved in revolutionary activities fall in love. full summary | add synopsisAwards:
Nominated for Oscar. moreUser Comments:
A well-made underrated musical with some good songs and some fine sequences. moreCast
(Cast overview, first billed only)| Nelson Eddy | ... | Prince Peter Karagin, aka Peter Teranda | |
| Ilona Massey | ... | Lydia Pavlovna Marakova | |
| Charles Ruggles | ... | Nicki Popoff (as Charlie Ruggles) | |
| Frank Morgan | ... | Ivan Danchenoff | |
| Lionel Atwill | ... | Prof. Marakov | |
| C. Aubrey Smith | ... | Gen. Karagin | |
| Joyce Compton | ... | Masha (Lydia's maid) | |
| Dalies Frantz | ... | Dimitri Marakov | |
| Walter Woolf King | ... | Capt. Michael Sibirsky | |
| Phillip Terry | ... | Lt. Smirnoff | |
| Frederick Worlock | ... | Ramensky | |
| Abner Biberman | ... | Leo Proplinski | |
| Arthur W. Cernitz | ... | Capt. Sergei Pavloff | |
| Roland Varno | ... | Lt. Nikitin | |
| George Tobias | ... | Slaski (bartender) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
102 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)Fun Stuff
Soundtrack:
Silent Night (Stille Nacht) moreFAQ
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I am generally a soft touch for movies that have fictional characters in a well-known historical setting, and this one is no exception. Based on a 1936 underrated musical that opened in London, and set on the eve of both World War I and the Russian revolution, it involves a Russian Prince, Nelson Eddy, and a singer and revolutionary, Ilona Massey, who deceive each other as to who they really are, and fall in love. But even after they discover their true identities, they remain in love until separated by the war and then the revolution.
The sets and costumes are first-rate and director Reinhold Schunzel keeps the film moving at a nice pace and handles the crowd scenes extremely well. Mild comedy is provided by Charlie Ruggles and Frank Morgan. Although I'm not much of a fan of Nelson Eddy - he's somewhat bland in his acting - he does have a good voice, so I did enjoy lots of his singing. The stirring "Ride, Cossack, Ride" while the Cossacks are on horseback riding towards the camera, which keeps moving back to avoid a collision, is beautifully photographed. His rendition of "Silent Night" in German, while in the trenches during WW I, answering the Austrian enemy soldiers singing of that song, was a wonderful tender sequence. Eddy also sings the Toreador song from Bizet's "Carmen" which will surely will be liked by opera fans.
But I loved best the last 15 minutes or so, when the Russian emigrés who have gathered in Paris after the war, meet at the Paris version of the Balalaika Cafe to celebrate the Russian New Year. Instead of the joy you would expect on such an occasion, you see the sadness in everyone's eyes at having had to leave their homeland. Frank Morgan sings about his "Land of Dreams," and it moved me to tears.