Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Cricket West is a hopeful actress with a plan and a pair of vocal chords that bring down the house. Along with her eccentric aunt, she plays host to the local jockeys, whose leader is the ... See full summary »
Alfred E. Green
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Mickey Moran, a talented singer and musician, son of a veteran from the show business. Mickey has a partner, Patsi Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsi's in love with Mickey, he loves her too, but for him the show must go on, and his big dream maybe will come true: formally stage his play in a big scenario, with a huge production. Written by
Although Judy Garland re-created for Decca a contemporary version of the exuberant classic, "I'm Just Wild About Harry" (music and lyrics by Noble Sissle and Eubie Blake), the first U.S. release would not appear until 1984 when MCA produced a Garland LP collection called "From the Decca Vaults." This cut was issued again as part of a Judy CD box set entitled "The Complete Decca Masters (Plus)." See more »
When Judy Garland & Betty Jaynes are singing their duet, there is part of one line where Judy's lips aren't moving but you can hear her singing. You can see her singing "We're really..." and then the view changes and there's a close-up of the two girls. As they sing the words "...just like...." Judy's lips aren't moving and she's just staring straight at the camera. Then she continues lip-syncing "...two peas in a pod..." See more »
Play day is done, we must wait in the sun, we must fight for. So babes in arms to arms!
To arms! To arms, babes in arms!
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It's an early Freed Unit picture, and among other Freed staples it has the work of Roger Edens, snatches of "Singing in the Rain" and "Good Morning," plus a whisper of "Broadway Rhythm." But it's kind of cuckoo. The director is Busby Berkeley, who wanted everything BIG even when the movie was supposed to be SMALL. Thus BB encourages the Mickster to go into his full Eugene O'Neill mode and he out-shouts everyone in the movie, including the hurricane! That is, when he's not on the verge of tears. If a woman had so over-heated, you'd say it's her time of the month; I can only guess Mick's ego went nuclear and BB wasn't interested enough to rein him in. He may not have even noticed. The most absurd stroke is that Rooney clearly believed he was a great impressionist too, and BB let him do crude impersonations of Gable and Barrymore, among others, that seem pointless and self- congratulatory. Judy is early Judy: shy, more Dorothy Gale than the windstorm of talent she'd become in later Freed masterpieces like "Meet Me in St. Louis" and so forth. Some other oddities, or at least they seem odd now: a big number in which Mick and the "kids" march through the streets of a Long Island coastal town, carrying torches and proclaiming that they are the future has an odd Nazi vibe to it. Creepy. Then there's baritone Doug McPhail who was five years from suicide; he's the next Nelson Eddy except there was no next Nelson Eddy which may be why he poisoned himself. Johhny Sheffield, later to be "Boy" to Johnny Weismuller's Tarzan, is briefly glimpsed and such MGM regs as Guy Kibbee and Margaret Hamilston are around to ground the movie in solid professionalism. It's sure watchable, even today, but now you think: these people thought they were riding the wave and the wave was coming in to crush THEM.
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