Cricket West is a hopeful actress with a plan and a pair of vocal chords that bring down the house. Along with her eccentric aunt, she plays host to the local jockeys, whose leader is the ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Mickey Moran, a talented singer and musician, son of a veteran from the show business. Mickey has a partner, Patsi Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsi's in love with Mickey, he loves her too, but for him the show must go on, and his big dream maybe will come true: formally stage his play in a big scenario, with a huge production. Written by
The Richard Rodgers/Lorenz Hart songs "My Funny Valentine", "I Wish I Were in Love Again", "Way Out West", and "Johnny One Note" are songs from the original Broadway musical, but were eventually unused in the final film. "The Lady Is a Tramp" is heard instrumentally several times as the theme for June Preisser's character Rosalie Essex. See more »
Mickey is handed a cigar by the butler during the "dinner party" with Rosalie. Just before he gets up from the dinner table he puts the cigar down but in the next shot he still has the cigar in his hand and has to put it down again. See more »
Michael C. 'Mickey' Moran:
I'm gonna write a show for us and put on right here in Seaport. Why, it'll be the most up-to-date things these hicks around here have ever seen! Opening night we'll have Max Gordon, Sam Harris, Lee Schubert... Down to give us the once over. How about it, kids?
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I just saw it on TCM, after finally acquiring cable. It's sweet. I imagine the original stage score was sharper and more adult, but you must know by now that Hollywood has been tampering with the scores of stage musicals since the year 1. When they filmed GAY DIVORCE they eliminated the entire score- save one little song danced by Fred Astaire. There's been stage-to-screen tampering done with SHOW BOAT, ON THE TOWN, BRIGADOON, SWEET CHARITY, and A CHORUS LINE, to name a few. And Rodgers & Hart were decidedly more sophisticated, adult composers; they had to endure the wrath of the puritanical Hollywood image back then. This is why I've always preferred musicals originally created for the screen; no one looking for a stage predecessor would be offended. As it is, they did keep "The Lady is A Tramp" in the background and allowed "Where or When" to be performed as a slightly botched band rehearsal. But I love the staging of the title song: a march through the street, gathering more and more teens as they go, with its bonfire-rally finale; and Judy Garland's torch solo "I Cried For You" is a stunning piece of poignancy which makes you forget that she is only 17 years old. She does a magnificent job of grounding the overly ecstatic Mickey Rooney. As for dated film accusations- yes, it is dated; America just entered World War II at this movie's release, and it's probably no coincidence that the film's finale "God's Country" is an especially long, uplifting musical sequence. I mean, how ageless can it be with Mickey Rooney doing an impersonation of President Roosevelt?!
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