Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Mickey Moran, a talented singer and musician, son of a veteran from the show business. Mickey has a partner, Patsi Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsi's in love with Mickey, he loves her too, but for him the show must go on, and his big dream maybe will come true: formally stage his play in a big scenario, with a huge production. Written by
In two of her MGM musicals, Judy Garland performed the classic rouser, "Broadway Rhythm" (music by Nacio Herb Brown, lyrics by Arthur Freed). The first was in this film, as part of the Roger Edens-created "Opera Vs. Jazz" routine, also featuring Betty Jaynes. The second was the last tune in a medley which closed 'Presenting Lily Mars (1943)', when the ditty was used as a showcase for Judy to dance with Charles Walters (who went uncredited for choreographing and performing in the finale), and for the star to sing with the MGM Studio Chorus, backed by Tommy Dorsey and His Orchestra. See more »
Camera shadow on front row of violin players just before Mickey covers his ears. See more »
Michael C. 'Mickey' Moran:
No, no, no, judge! You don't understand; she don't understand, either. Oh, she don't mean no harm to us, but... we're not her kind of people - or yours, either. We belong in show business. We gotta start young so we can get some steel in our backbone. Well, gee, we're developing. You couldn't teach us a trade: we've GOT one. And you couldn't do without it... Oh, we're only kids now, but someday we're gonna be the guys that make ya laugh and cry and think that there's a little stardust left on ...
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This movie was done right after "Wizard of Oz" and shows Judy Garland in a more appropriate role for her age. It is great to see her and Mickey-- the "Good Morning" duet at the beginning is just priceless! Watch the opera versus swing number she does with Betty Jaynes and you can almost imagine the short "Every Sunday" with Deanna Durbin being an influence. June Preisser plays a spirited Shirley Temple parody, which was weird because I could have sworn Shirley Temple was being signed, or soon to be signed to MGM. Unfortunately, they try to make Judy be the homely one, which mystifies me because she looked absolutely gorgeous in this film. Good songs, and good numbers throughout. Yes, the minstrel scene near the end will make your jaw drop, but if we didn't have things like this on film, we would never know how it really was back then, and therefore not know how hard it really was.
Oh, and Mickey Rooney was good, too. Hyper, but good.
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