Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Mickey Moran, a talented singer and musician, son of a veteran from the show business. Mickey has a partner, Patsi Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsi's in love with Mickey, he loves her too, but for him the show must go on, and his big dream maybe will come true: formally stage his play in a big scenario, with a huge production. Written by
In two of her MGM musicals, Judy Garland performed the classic rouser, "Broadway Rhythm" (music by Nacio Herb Brown, lyrics by Arthur Freed). The first was in this film, as part of the Roger Edens-created "Opera Vs. Jazz" routine, also featuring Betty Jaynes. The second was the last tune in a medley which closed 'Presenting Lily Mars (1943)', when the ditty was used as a showcase for Judy to dance with Charles Walters (who went uncredited for choreographing and performing in the finale), and for the star to sing with the MGM Studio Chorus, backed by Tommy Dorsey and His Orchestra. See more »
During the girls' duet, Patsy Barton begins her solo, and Mickey Moran switches from cello plucking to piano thumping. However, the music continues as it was before, and we don't hear any amazing sounds on the piano in spite of Mickey's efforts. See more »
Michael C. 'Mickey' Moran:
No, no, no, judge! You don't understand; she don't understand, either. Oh, she don't mean no harm to us, but... we're not her kind of people - or yours, either. We belong in show business. We gotta start young so we can get some steel in our backbone. Well, gee, we're developing. You couldn't teach us a trade: we've GOT one. And you couldn't do without it... Oh, we're only kids now, but someday we're gonna be the guys that make ya laugh and cry and think that there's a little stardust left on ...
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This is not good because it's a Busby Berkley film. It's not good because of the corn fed mom country and apple-pie sentiment. It's not good because of the Rogers and hart score.
This is great to watch because it comes from the hard years of the depression where even in hard times young people learned how to sing, or dance, or act, or sing dance and act.
This large cast of performers is packed with showbiz musical theater talent born of Vaudeville, that represents an era that was unparalleled and we will never see again. For all his goofiness Rooney does it all here. And Judy, oh dear Judy, she shines in absolutely every thing she does. Giving more than we have a right to expect in every thing she does.
Even with it's flaws as an over the top movie, the black face routine is not defensible even in it's own time, there are moments in this moving where if you don't see the awesome musical theater talent of the whole cast of "PERFORMERS", you are miserable indeed.
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