Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Mickey Moran, a talented singer and musician, son of a veteran from the show business. Mickey has a partner, Patsi Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsi's in love with Mickey, he loves her too, but for him the show must go on, and his big dream maybe will come true: formally stage his play in a big scenario, with a huge production. Written by
Obvious stand-in for Patsy as they climb the ladder during "[We Are] Babes in Arms" at the beginning of the film. See more »
Michael C. 'Mickey' Moran:
I'm gonna write a show for us and put on right here in Seaport. Why, it'll be the most up-to-date things these hicks around here have ever seen! Opening night we'll have Max Gordon, Sam Harris, Lee Schubert... Down to give us the once over. How about it, kids?
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"Well you have to admit -- it took a hurricane to stop me."
The children of struggling vaudeville stars decide to put on a musical show to save their homes. Yes, it's a Mickey Rooney and Judy Garland "let's put on a show" musical. Their first such movie, I think, and probably their most famous. Mickey & Judy are great. Mickey does Lionel Barrymore and Clark Gable impressions that are a hoot. He also has a fight scene in a drug store which is amusing. The supporting cast is made up of fine character actors like Guy Kibbee, Charles Winninger, and Henry Hull. Adorable June Preisser steals every scene she's in. Margaret Hamilton plays the villain, a busybody who tries to get the kids taken away from their parents. Garland & Hamilton filmed this right after Wizard of Oz, by the way. Interestingly, this was actually a bigger hit at the box office than Oz was in 1939.
Most of the songs are nice but none wowed me. Several classic Rodgers & Hart tunes from the Broadway musical this was based on are either omitted altogether or featured too briefly to make an impact. An ear-splitting operatic version of "You're My Lucky Star" by Betty Jaynes is probably the worst song in the movie. Judy's "I Cried for You" is best. Salute to minstrel shows with cast members in blackface will upset some so prepare yourself if you're one of them. Directed by Busby Berkeley, as evidenced by his distinct touches on the "God's Country" closing number. Speaking of which, that number has Mickey & Judy satirizing FDR & Eleanor. After FDR's death this part was cut out of future showings and it remained that way until the '90s. It's a lively number and the added historical value is a plus. Good old-fashioned fun. Charming, innocent, and yes, a little corny, but an enjoyable movie overall.
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