Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
Jeff Wilson, the owner of a small circus, owes his partner Carter $10000. Before Jeff can pay, Carter lets his accomplices steal the money, so he can take over the circus. Antonio Pirelli and Punchy, who work at the circus, together with lawyer Loophole try to find the thief and get the money back. Written by
Michael Zolk <firstname.lastname@example.org>
Buster Keaton worked on the film as a gag man. His career was on the downside and he was forced to work for scale. His complex and sometimes belabored gags (recalled in the book 'Groucho, Harpo, Chico and Sometimes Zeppo') did not work well with the Marx Brothers' brand of humor, and was a source of friction between the comedian and the group. When Groucho called Keaton on the inappropriateness of his gags for the Marx Brothers, Keaton responded, "I'm only doing what Mr. Mayer asked me to do. You guys don't need help." See more »
When the little boy is "playing" his trumpet solo (and Harpo is using the bulb of his bicycle horn as a wah-wah mute), not only are the boy's fingerings incorrect, they are out of synch with the sequence of notes. Harpo's use of the "mute" is likewise out of synch. See more »
Middle-of-the-road Marxes, with some good scenes and laughs unevenly weighted down by those ever-intrusive and out-of-place musical numbers that so often plagued these movies. No, I'm not referring to Groucho's spirited rendition of 'Lydia the Tattooed Lady'; I'm talking about hearing those two useless lead lovers crooning their sappy romantic tunes to each other ('Two Blind Loves', which is sung over and over at intervals throughout the picture, is especially grating on the nerves). There is also a song and dance sequence that comes out of left field later in the film that really feels out of place and gets in the way of things.
There are certainly some witty Groucho zingers, as well as vintage Harpo madness, to be found here. It's just that there's not enough consistency and too much of the fluff. It's a pity the filmmakers just didn't realize that it's the Marx Brothers we're here to see; not Kenny Baker and Florence Rice.
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