A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
In this adaptation of Dashiell Hammett's "The Farewell Murder", Nick and Nora (and their dog Asta) visit the estate of Col. MacFay, who is being threatened by a mysterious man wanting revenge for a past injustice. When MacFay is murdered, that man is the obvious suspect- maybe too obvious... Written by
Ken Yousten <firstname.lastname@example.org>
The elegant car that Nick and Nora ride out to Col. MacFay's estate in is a 1935 Lincoln. These were an expensive, low-production car, with only about 1,400 made that year. The major movie studios kept a number of expensive cars around for executive purposes, and they often did double duty as props as required in production. See more »
After Creeps first meets Nick and Nora, his suspenders disappear when he moves into the baby's room. See more »
Not bad, but too many plot elements smother the comedy...
This third entry in the series was the last to be based on the Dashiell Hammet stories. It starts out interestingly enough, with Nick and Nora asked to spend some time with C. AUBREY SMITH who's been receiving death threats from a gangster (SHELDON LEONARD). So far, so good. RUTH HUSSEY is the nanny for the newborn Nick, Jr. and we immediately think she knows more than she says about the events that follow.
When Smith is murdered, Nick and Nora have to solve another crime, going about it with more sobriety than usual. Among the many suspects are OTTO KRUGER, VIRGINIA GREY, TOM NEAL, PATRIC KNOWLES, MARJORIE MAIN and, of course, SHELDON LEONARD.
The formula is set, the ingredients are there, and if you love Powell and Loy in their Nick/Nora guise, you'll no doubt enjoy this one. The plot is no more convoluted than usual, but the main pleasure is enjoying the chemistry and wit of two of the screen's favorite sleuths.
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