A street kid has dreams of becoming a jockey. He gets his chance when he and his gang discover a poor old man who has a championship race horse. The man agrees to let the boy ride his horse... See full summary »
Blondell and O'Brien star as newspaper reporters who inadvertently send Jordan to reform school after they write an expose of the illegal slot-machine racket the boy was a spotter for. ... See full summary »
A young man just released from a reformatory moves to a new neighborhood with his sister, intending to start a new life. However, he gets mixed up with the local mob boss and corrupt ... See full summary »
Colonel Riker was a hero in the trenches in 1918. He now heads Washington Military Academy. His pal Bill Duncan, dying, requests Riker to school his son Shirley ("Slip"), a juvenile delinquent. Slip starts fights, disputes all regulations, but Riker believes in him. When the truth comes out, that Slip got into the academy as a means of evading reform school, Slip leaves, but Jack Rollins tries to stop him. The squad roughhouses Slip, but in the mêlée, Jack is pushed out a window. Hurt badly, he nevertheless begs that Slip be kept. Slip has a change of heart, but now must contend with the boys who hate him. Written by
Jim Beaver <firstname.lastname@example.org>
They were still known as the Dead End Kids at this stage of their career, because of their appearance in "Dead End". Later they'd become East Side Kids and Bowery Boys. Leo Gorcey is the protagonist here. He was the one wearing the beanie. As a favor, John Litel sees that Gorcey ("Slip") is admitted to Washington, a military academy. The other Dead End Kids are also students there. They are given lines like, "In the language of my native Broadway, you are behind the eight ball plenty." Gorcey throws a plate of food into the face of a senior classman. He starts fights. He doesn't stow his gear properly. He's distraught. He wants to quit but is tricked into staying. In the end he succeeds and everything ends happily.
You should be either ten years old or totally drunk if you want to find anything fresh or amusing in this movie. I can't find a single thing to recommend this movie if you're not in one of those two pathological conditions. The story line is predictable, even at this early stage of the Kids' development. The acting is nonexistent. There is no humor that rises above the level of the worst pun you've ever heard.
In 1939, people paid to watch this.
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