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You and Me (1938)

 -  Crime | Romance  -  3 June 1938 (USA)
7.0
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Ratings: 7.0/10 from 520 users  
Reviews: 16 user | 17 critic

An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.

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(screen play), (based on a story by), 1 more credit »
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Cast

Cast overview, first billed only:
...
Helen Dennis
...
Joe Dennis
...
Jim
...
Mickey Bain
...
Cuffy
...
Jerome Morris
...
Patsy
Warren Hymer ...
Gil Carter aka Gimpy
Guinn 'Big Boy' Williams ...
Taxi, Tough Lothario (as Guinn Williams)
Carol Paige ...
Torch Singer
...
Mrs. Abie Levine aka Mama
Bernadene Hayes ...
Nellie
Egon Brecher ...
Abie Levine
Paula DeCardo ...
Cigarette Girl
Harriette Haddon ...
Cigarette Girl
Edit

Storyline

Mr. Morris, the owner of a large metropolitan department store, gives jobs to paroled ex-convicts in an effort to help them reform and go straight. Among his 'employed-prison-graduates' are Helen Roberts and Joe Dennis, working as sales clerks. Joe is in love with Helen and asks her to marry him, but she is forbidden to marry as she is still on parole, but she says yes and they are married. In spite of their poverty-level life, their marriage is a happy one until Joe discovers she has lied about her past, in order to marry him. Disillusioned, he leaves, goes back to his old gang and plans to rob the department store. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Every time she says "I Love You"... she breaks the law!

Genres:

Crime | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

3 June 1938 (USA)  »

Also Known As:

Casamento Proibido  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The author of the original story, Norman Krasna, saw "You and Me" as an opportunity to direct, bot original stars George Raft and Carole Lombard objected. Raft was suspended and by the time he was reassigned, Sylvia Sydney had replaced Lombard with Richard Wallace as director. Sydney, who had starred in Fritz Lang's first two American films, successfully lobbied to have Lang replace him. See more »

Quotes

Cuffy: Funny. Last Christmas I was on the inside lookin' out and thinkin' I'd go bats if I couldn't get outside. And now I'm out... I don't know. Come to think of it, it was kinda cozy in that little cell.
See more »

Connections

Referenced in The Phantom (1996) See more »

Soundtracks

The Right Guy for Me
Music by Kurt Weill
Lyrics by Sam Coslow
See more »

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User Reviews

 
Two ex cons try to find love.
20 May 2013 | by See all my reviews

If you've ever studied film history, you probably know that 1940s Hollywood Noir was influenced by the influx of German directors who immigrated to the US as the Nazis rose to power. These directors brought some stylistic aspects of Wiemar cinema to post-war Noir. What's less well know is that in the 1930s and war years, before the stylistic and political chill of the red scare, already on the rise in the late '40s, the German directors, such as Fritz Lang, were using their Brechtian style- openly political and meta-textual- in much more brazen and less-watered down ways than they were in the post-war Noir years. (Lang would later direct "Hangmen Also Die"- one of the few Hollywood scripts Brecht ever wrote.) "You and Me" is a largely forgotten example of the films of this era. The film is fascinating and entertaining, although perhaps too idiosyncratic to be called "good." For its first two thirds its a genuinely touching and psychologically acute love story between two ex-cons struggling to get by. It would constitute a solid, conventional drama if it were not fragmented by nightmarish musical numbers lecturing the audience that, for instance, its a bad idea to try to break out of prison on your own. Most bizarrely, the last third changes tone completely and becomes a bona-fide screwball comedy revolving around a chalk board lesson mathematically demonstrating why crime, literally, doesn't pay. Although Brecht's influence is felt in almost every scene the politics of the film are in no way radical- as some Hollywood films of the era were in underlining ways. This piece, rather, is merely cynical about American capitalism, without actually questioning it.


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