Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
The stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a twelve block area owned by Alice's grandparent Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tone decides to visit Alice with his parents one day before the scheduled. There is an inevitable clash of classes and lifestyles, the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the French-dubbed version made in 1938, the names of some of the characters were changed: "Anthony P. Kirby" (played by Edward Arnold) became "Alexandre P. Kirby"; "Essie Carmichael" (played by Ann Miller) was rechristened "Sylvie Carmichael". Similarly "Penny Sycamore" (played by Spring Byington) became "Jenny Sycomore"; "Ed Carmichael" (portrayed by Dub Taylor) became "Ned Carmichael" and finally Lillian Yarbo's character named "Rheba" in the original version was renamed "Rebeccah". See more »
When talking about lilies of the field, Poppins' hands go from his book to his rabbit toy. See more »
You know, there never was anything in my life that I couldn't get if I didn't scream loud enough.
Yeah, and I've had plenty of practice with it since I was a baby. I'm pretty terrific at it now. Here, let me show you a little example.
[he screams, and the office boy opens the door]
[he screams again, and the office boy leaves]
See more »
For film-goers and movie fans that are from my generation, it is easy for these films to get lost in the shuffle. Ask someone my age, who would now be 25, what the best movie of all time is, they're likely to say Pulp Fiction or Fight Club.
Not to take away from today's movies, but for anyone who has not gone back and viewed classic Capra, such as "You Can't Take it With You," then they are truly missing out.
This movie is pure magic and beauty. Lionel Barrymore gives a performance as relevant in 2005 as it was in 1938. And what can you say about Jimmy Stewart?? This is a rare gem of a film and in true Capra fashion, the climactic final scene brings tear to the eye, much the same way as Harry Bailey's toast in "It's a Wonderful Life."
59 of 64 people found this review helpful.
Was this review helpful to you?