A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
The stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a twelve block area owned by Alice's grandparent Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tone decides to visit Alice with his parents one day before the scheduled. There is an inevitable clash of classes and lifestyles, the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Frank Capra first became aware of the play when he caught a performance of it when he was in New York in 1937 for the premiere of Lost Horizon (1937). He tried to persuade Columbia boss Harry Cohn to buy the rights but Cohn refused, partly because he baulked at the prospect of shelling out what he considered to be the exorbitant sum of $200,000 for the rights, but mainly because he was still smarting from the lost battles he'd had with Capra over the final edit of Lost Horizon (1937). Capra too was out of sorts with Cohn as he objected strongly to the Columbia boss trying to market the Jean Arthur film If You Could Only Cook (1935) in Britain as one of his own. A court case ensued, only being resolved in November 1937, with the proviso that Columbia buy the rights to the play and assign the project to Capra. See more »
When Tony hands Alice a yellow rose in the office, she holds it upright in front of her. In the next shot it's lying across her lap; in the next it's upright again. See more »
You Can't Take it With You is a very funny and entertaining film. Bringing Up Baby is probably the only film that has ever made me laugh as hard as this one. James Stewart and Jean Arthur are magical together, just as they were in Mr. Smith Goes to Washington. This is yet another great film by Frank Capra and was rewarded with an Oscar for Best Picture in 1938.
Stewart comes from a rich and completely uptight family. Miss Arthur is the only relatively sane member of a very wild family. Lionel Barrymore is wonderful as the grandfather here. He is so warm and funny in this movie, it's hard to believe he's the same man who played the evil Mr. Potter in It's A Wonderful Life. Edward Arnold who was known for playing slimy villians, is great as Stewart's very wealthy and totally stuck-up father.
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