Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing ... See full summary »

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Cast

Cast overview:
...
...
Kay Kerrigan
...
Ben Blodgett
...
Jean Livingstone
...
Thomas Bruhme II
...
Police Commissioner Blackton
Robert Elliott ...
Captain George Faulkiner
...
Mrs. Johnson
Richard Tucker ...
John Johnson
...
Ann (as Linda Winters)
Wilma Francis ...
Judy
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Storyline

Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing detective. The two soon develop a shipboard romance. Will Sam be able to bring Kay back to the States and likely imprisonment? Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

28 December 1938 (USA)  »

Also Known As:

Agapisa mia dolofono  »

Company Credits

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Technical Specs

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

An article in International Photographer noted that this was the first production in which rear projection was an "integral part of the production program," and the New York Times reviewer referred to the production as "the process shot heard 'round the world." See more »

Goofs

When Thomas is shot, he is wearing a striped robe with a bright monogram on the left breast. When we later see his body on the floor, with the police investigating, the monogram is missing. See more »

Quotes

Commissioner Blackton: There's not one of you - not one - that could trail a puppy with muddy feet across a white bedspread.
See more »

Connections

Referenced in Added Attractions: The Hollywood Shorts Story (2002) See more »

Soundtracks

When Irish Eyes Are Smiling
(uncredited)
Lyrics by Chauncey Olcott and George Graff (as George Graf, Jr.)
Music by' Ernest Ball (I)'
Played by Fredric March on piano
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User Reviews

 
The Movie From Home Movies
11 May 2011 | by (Buffalo, New York) – See all my reviews

Several years before anyone thought of the film Trade Winds, director Tay Garnett did a round the world tour and took a camera crew with him. They shot miles of beautiful travelogue type footage and Garnett had it in his mind to use it. According to the Citadel Film Series book The Films of Fredric March, Garnett sold the idea to independent producer Walter Wanger. Who thereupon commissioned a story to be written around these films and naturally it would be starring his wife Joan Bennett. All that background you see in Trade Winds is what Garnett shot years earlier.

Trade Winds is a strange film it can't quite make up its mind to be a mystery, comedy, or drama it truly defies classification. One thing we do know is that right away we're given information regarding the forensics that Joan Bennett is innocent. If she had not run, but stayed behind she'd have known right away and we'd have had no film.

But run she does and private detective Fredric March is put on her trail. He sure needs the money as well as he and secretary Ann Sothern owe a lot of bills.

The weakness of the plot is made up for a lot by the supporting performances of both Ann Sothern and Ralph Bellamy. Sothern is not in the tradition of private eye secretaries like Effie in The Maltese Falcon. She turns out to be just as good a gumshoe as March and she's a person of shifting loyalties.

Which is unlike Ralph Bellamy who might easily qualify for being the dumbest cop the movies ever portrayed. I could have seen him being commandant of the Police Academy forty years later. He's so earnest in such a Dudley Doo-Right manner he's positively hilarious. Sothern and Bellamy really do carry this film.

March is a charming rascal and Bennett a beautiful and vulnerable victim, but if you watch Trade Winds I know you'll enjoy Sothern and Bellamy most of all.


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