2 items from 2016
The record shows Orson Welles as a grand artist of serious subjects and baroque tastes. That alone is reason enough to hail the discovery, restoration and presentation of the long-thought-lost Too Much Johnson, a tribute to the silent slapstick shorts of Mack Sennett, Charlie Chaplin and Harold Lloyd. It is an unfinished project in its own right but is nonetheless complete enough to reveal a side of Welles so rarely exhibited to the public. That it was made three years before Citizen Kane makes it an invaluable find, a glimpse of the artist exploring the new medium of film with a natural affinity for the possibilities inherent in cinema. But that's a matter of historical scholarship. What matters to the rest of us is that Too Much Johnson is funny, clever, cheeky, inventive and genuinely accomplished, which makes it worth watching on its own modest yet playful merits.>> - Sean »
Displaying a transparency that few filmmakers of his fame and / or caliber would even bother with, Steven Soderbergh has, for a couple of years, been keen on releasing lists of what he watched and read during the previous twelve months. If you’re at all interested in this sort of thing — and why not? what else are you even doing with your day? — the 2015 selection should be of strong interest, this being a time when he was fully enmeshed in the world of creating television.
He’s clearly observing the medium with a close eye, be it what’s on air or what his friends (specifically David Fincher and his stillborn projects) show him, and how that might relate to his apparent love of 48 Hours Mystery or approach to a comparatively light slate of cinematic assignments — specifically: it seems odd that the last time he watched Magic Mike Xxl, a »
- Nick Newman
2 items from 2016
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