A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
The Roth family lead a quiet life in a small village in the German Alps during the early 1930's. When the Nazi's come to power, the family is divided and Martin Brietner, a family friend is... See full summary »
During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over. Daisy agrees to ... See full summary »
The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many ... See full summary »
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the... See full summary »
William A. Seiter
Near the end of WW II, a member of the German underground (Martin Richter) escapes from the Gestapo and takes shelter at Hotel Berlin, where he meets Lisa Dorn, a sleek actress involved ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who is dying of tuberculosis. Written by
Herman Seifer <email@example.com>
This movie was notable for: the subtle and mysterious acting of Margaret Sullavan; the screenplay by Scott Fitzgerald (which was literary and a bit on the wordy side); and the interesting look at Germany immediately after WWI. Personally, I would have liked to have seen more about the politics and tensions in Germany (playing up Robert Young's role), and less of the Camille-esque love & decline plot. But that's just me.
I thought that the film was carried by Franchot Tone and Margaret Sullavan. Tone's role is nicely played down; he consistently does the right thing, even when it might appear to be the morally wrong thing. He's sure, calm, and direct at every turn. I always enjoy watching him. Sullavan was fascinating. It isn't often you see someone who appears to be an intellectual in a role that didn't necessarily call for that type. She is lovely, dignified, but hardly the standard "babe who attracts three best friends." They seem to like her for her complexity. And that in itself is unusual.
This movie was strange. It should have been better than it was -- the emphasis on the love story slows things up and even feel a bit silly. (When Pat starts wearing traditional German garb in the kitchen just cracked me up.) But the good moments, when they come, making viewing this film worthwhile.
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